On February 2, 2000, the song "Ea Bia Paas Padal - Dulha Parichan" was released by Anuradha Krishan Rastogi, Ankita Rastogi, Laxvi Rastogi, Kiran Rastogi, Sunita Rastogi. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Madhwa Mein Aaiha" album is number 5 out of 14. On top of that, India appears to be the country where this track was created. In terms of popularity, Ea Bia Paas Padal - Dulha Parichan is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ea Bia Paas Padal - Dulha Parichan by Anuradha Krishan Rastogi, Ankita Rastogi, Laxvi Rastogi, Kiran Rastogi, Sunita Rastogi to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhimrayamule Budh Milale | Anand Shinde, Milind Shinde | A♭ Major | 6 | 4B | 162 BPM | ||
| Gori Tum Jidna Se Gayi Mayke Bundeli Faag Rai | Ramesh Vishwakarma | A Major | 7 | 11B | 83 BPM | ||
| Maro Helo Suno Ji Ramapeer | Prakash Mali | A♭ Major | 8 | 4B | 110 BPM | ||
| Maang Mat Kari Jeeja | Anuradha Krishan Rastogi, Indu Kumar | G Major | 5 | 9B | 83 BPM | ||
| Mala Baai Jayachn Mathura Bazara | Milind Shinde | A Minor | 5 | 8A | 104 BPM | ||
| Teelak Ke Rupaiya Kahaan | Anuradha Krishan Rastogi, Kirti Upadhyay, Rekha Tiwari | B Minor | 4 | 10A | 116 BPM | ||
| Mithe Ras Se Bharo | Indresh Upadhyay | G Major | 4 | 9B | 161 BPM | ||
| Chhadh Gae Neora Ke | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | F♯ Major | 8 | 2B | 150 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Ham Raton Ko Uth Uthkar | Prakash Rutha | D Minor | 5 | 7A | 142 BPM | ||
| Dalwal Na Dalwal Na (Holi) | MANOJ TIWARI, Indu Sonali, Anand Mohan | E♭ Major | 8 | 5B | 51 BPM | ||
| Log Kehete Hain Ki | Santanu Sahoo | C Minor | 9 | 5A | 91 BPM | ||
| Dosh Mera Dyoun Ki | Satpal Dausa | D♭ Major | 6 | 3B | 95 BPM | ||
| Main Garib Sach Tek Ton | Hans Raj Hans | E♭ Major | 5 | 5B | 78 BPM | ||
| Kehnde Ne Naina Tere Kol Rehna | Hita Ambrish | D♭ Major | 8 | 3B | 85 BPM | ||
| Shish Gang Ardhang Parvati | Lakhbir Singh Lakkha | D♭ Major | 8 | 3B | 84 BPM | ||
| Dol Dolatay Varyav | Shrikant Narayan, Veena Bamne | F♯ Major | 7 | 2B | 82 BPM | ||
| Sindura Kini Nela | Mohammad Aziz | G Major | 5 | 9B | 86 BPM | ||
| Dulha Ke Mammi Daroga Se Fansal | Anuradha Krishan Rastogi, Kirti Upadhyay, Rekha Tiwari | A Major | 7 | 11B | 125 BPM | ||
| Gufa Suhani Beech Bhawani Maa | Maithili Thakur | B♭ Major | 8 | 6B | 125 BPM | ||
| Hina Hina Hina Ae | Chaap Nazaink | A♭ Major | 7 | 4B | 120 BPM | ||
| Chandi Chamunda Visa | Hemant Chauhan | F♯ Minor | 10 | 11A | 116 BPM | ||
| Ram Taju Pe Guru Na Bisaru | Hita Ambrish | E Minor | 9 | 9A | 119 BPM | ||
| Ajabe Ajabe | Mamta Chandrakar | F♯ Major | 6 | 2B | 109 BPM | ||
| Nod Shanzaan Pa Mahpar | Noor Khan Bizanjo | F♯ Major | 8 | 2B | 114 BPM |