Larry Goldings, Harry Allen's 'Morning Has Broken' had a release date set for February 13, 2011. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of When Larry Met Harry by Larry Goldings, Harry Allen. The song's track number on the album is #1 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. Morning Has Broken is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Morning Has Broken by Larry Goldings, Harry Allen has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Morning Has Broken being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bringing It All Back | Tom Stills Quartet | F Minor | 3 | 4A | 149 BPM | ||
| Cedar | Julian Harrow Trio | D Major | 2 | 10B | 98 BPM | ||
| Circling Hours | Larry Goldings | D♭ Major | 5 | 3B | 160 BPM | ||
| Wichita Lineman | Alan Pasqua | F Major | 1 | 7B | 113 BPM | ||
| Velvet | Portraits in Jazz, Nikolaj Hess, Claus Waidtløw | F Major | 2 | 7B | 88 BPM | ||
| Paper-thin walls | Benjamine Leroy Quartet | C Minor | 1 | 5A | 107 BPM | ||
| On the Rocks | Glass Trio | D Major | 2 | 10B | 98 BPM | ||
| Needle and Candle | Yoon Jong Ryul | A♭ Major | 1 | 4B | 67 BPM | ||
| The Quietest Yes | MySOL | D♭ Major | 0 | 3B | 138 BPM | ||
| The Way We Were | Eric Alexander | B♭ Major | 4 | 6B | 121 BPM | ||
| The Forecast | Denzel Sachs | D Major | 2 | 10B | 98 BPM | ||
| Closing Time Arithmetic | Josefa Carmona | D Major | 2 | 10B | 98 BPM | ||
| Best Year Yet | James Jackson Jazz Trio | C Major | 9 | 8B | 102 BPM | ||
| The Way It Was | Ballroom Jazz Collective | D Major | 2 | 10B | 98 BPM | ||
| Mercy, Mercy, Mercy | Tom Scott, Terence Blanchard, George Duke, Marcus Miller, Steve Gadd, Larry Goldings, Dave Carpenter | F Minor | 4 | 4A | 173 BPM | ||
| Praise | Aaron Parks | F Major | 2 | 7B | 128 BPM | ||
| Make Sure You're Sure | Joshua Redman | D♭ Minor | 1 | 12A | 114 BPM | ||
| Downtown Decisions | Five Points Ensemble | D Major | 2 | 10B | 98 BPM | ||
| Something Special | Jim Hall, Larry Goldings, Steve LaSpina | G Major | 2 | 9B | 101 BPM | ||
| Ephemeral | The Sunset Hill Jazz Band, Paul Rossy | F Major | 2 | 7B | 109 BPM | ||
| Reminiscing | Brandon's Three | D♭ Major | 2 | 3B | 97 BPM | ||
| Pure Immagination | Claudio Giambruno | E♭ Major | 0 | 5B | 109 BPM | ||
| Monocle and Mercer | Saphena Trio | G Minor | 2 | 6A | 116 BPM | ||
| Night Skyline Through the Glass | Alexander Campbell | C Major | 0 | 8B | 108 BPM | ||
| Acorn Figurines | Yelena Eckemoff Quintet, Chris Potter, Adam Rogers, Drew Gress, Gerald Cleaver, Yelena Eckemoff | G Minor | 3 | 6A | 90 BPM |