"Désir" by André Mathieu, Andrea Tyniec, Jean-Philippe Sylvestre had its release date on May 1, 2019. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Désir's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Mathieu, Marc Djokic, Andrea Tyniec, Elvira Misbakhova, Chloé Dominguez, Jean-Philippe Sylvestre's "Mathieu: Chamber Works" album is number 2 out of 12. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Désir is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Désir by André Mathieu, Andrea Tyniec, Jean-Philippe Sylvestre to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Winter Dream | Young Sook Lee | F Major | 2 | 7B | 72 BPM | ||
| Etudes-Tableaux, Op. 33, No. 5 in E-Flat Minor | Hélène Grimaud | A♭ Minor | 1 | 1A | 116 BPM | ||
| 12 Etudes, Op. 8: No. 5 in E Major (Brioso) | Alexander Scriabin, Matthieu Idmtal | D♭ Minor | 0 | 12A | 68 BPM | ||
| String Sextet, Op. 48: III. Furiant. Presto - Trio | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen, Gary Hoffman | A Major | 2 | 11B | 125 BPM | ||
| Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
| Falling Foliage | Lora Chow | C Minor | 2 | 5A | 122 BPM | ||
| Valses poeticos: No. 3. Slow Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
| Drei Intermezzi, Op. 117: II. Andante non troppo e con molto espressione | Johannes Brahms, Arcadi Volodos | D♭ Major | 0 | 3B | 65 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Prélude No.5 (Prélude Romantique) | André Mathieu, Alain Lefèvre | D♭ Major | 1 | 3B | 67 BPM | ||
| Godowsky: Triakontameron, Vol. 3: No. 11, Alt Wien | Leopold Godowsky, Aurélien Pontier | D♭ Major | 0 | 3B | 73 BPM | ||
| 3 Romances for Violin and Piano, Op. 22: I. Andante Molto | Clara Schumann, Alexandra Dariescu, Tomo Keller | F Minor | 0 | 4A | 86 BPM | ||
| Moments musicaux, Op. 16: No. 5, Andante sostenuto in D-Flat Major | Sergei Rachmaninoff, Inon Barnatan | D♭ Major | 0 | 3B | 170 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 6, Intermezzo in E-Flat Minor | Johannes Brahms, Piotr Anderszewski | F Minor | 0 | 4A | 86 BPM | ||
| España, Op. 165: Tango - for alto and piano | Isaac Albéniz, Tabea Zimmermann, Javier Perianes | D Major | 0 | 10B | 80 BPM | ||
| Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Garrick Ohlsson | A♭ Major | 0 | 4B | 138 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: I. Andante (Poco più animato) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Major | 1 | 5B | 92 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Am Meer, S. 560/4 (After Schubert, D. 957/12) | Franz Liszt, Alexandre Kantorow | C Major | 0 | 8B | 128 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Producto de sus elecciones | Padre GainsCone | C Minor | 2 | 5A | 100 BPM | ||
| 3 Nocturnes, L. 91, CD 98 (Arr. for 2 Pianos by Maurice Ravel): No. 1, Nuages | Claude Debussy, Genova and Dimitrov Piano Duo | F Minor | 0 | 4A | 86 BPM | ||
| Variations on a Rococo Theme, Op. 33: Variation III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | C Major | 1 | 8B | 79 BPM | ||
| Love Like the Dawn Came Stealing - Duo-Art 6079 | Charles Cadman, Peter Phillips | F Minor | 0 | 4A | 86 BPM | ||
| Falla: El sombrero de tres picos, Pt. 1: La tarde | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Minor | 0 | 4A | 86 BPM |