"Verschwiegene Liebe - Voice" by Hugo Wolf, Barbra Streisand had its release date on 1976. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Verschwiegene Liebe - Voice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Classical Barbra (Re-Mastered) by Barbra Streisand. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Verschwiegene Liebe - Voice is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verschwiegene Liebe - Voice by Hugo Wolf, Barbra Streisand is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mon Coer S'ouvre a Ta Voix - Camille Saint Saëns/F. Lemaire | Guadalupe Pineda | D♭ Major | 3 | 3B | 63 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
| Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
| Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
| Solveig's song | Edvard Grieg, Anna Netrebko | A Minor | 1 | 8A | 173 BPM | ||
| Kálmán: "Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
| Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Arr. Balsom for Trumpet and Orchestra) | Alison Balsom | D♭ Minor | 1 | 12A | 87 BPM | ||
| Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b | Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon | D Major | 0 | 10B | 85 BPM | ||
| Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
| Schubert: Ganymed, Op. 19 No. 3, D. 544 | Franz Schubert, Barbara Bonney | B♭ Major | 1 | 6B | 72 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
| Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
| Tannhäuser, WWV 70, Act III: Wie Todesahnung - O du mein holder Abendstern "Oh Star of Eve" | Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 104 BPM | ||
| Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova, Ferhan & Ferzan Önder, Martin Grubinger | D Major | 0 | 10B | 80 BPM | ||
| Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 77 BPM | ||
| Die Zauberflöte - Arie: Ach, Ich Fühl's | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 0 | 9B | 85 BPM | ||
| Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM | ||
| From Jewish Life, B. 55: II. Supplication | Ernest Bloch, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | E Major | 1 | 12B | 46 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 136 BPM | ||
| Emily — No Prisoner Be: No. 18, So set its Sun in Thee | Kevin Puts, Time For Three, Joyce DiDonato | A Minor | 1 | 8A | 82 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| Je te veux | Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca | C Major | 1 | 8B | 76 BPM | ||
| 5 Lieder, Op. 105: I. Wie Melodien zieht es mir | Johannes Brahms, Bernarda Fink, Roger Vignoles | C Minor | 0 | 5A | 69 BPM | ||
| You Must Believe in Spring - Orchestra Version | Barbra Streisand | D Minor | 0 | 7A | 79 BPM |