Rajé Shwari, S. P. Balasubrahmanyam, Laxmikant–Pyarelal's 'He Raju He Daddy' had a release date set for September 10, 1981. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 6 in Ek Hi Bhool by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. He Raju He Daddy is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of He Raju He Daddy by Rajé Shwari, S. P. Balasubrahmanyam, Laxmikant–Pyarelal is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Taraf Hai Apni Yari | Ashok Khare | E Major | 3 | 12B | 54 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Been Music (Sheshnaag) | Laxmikant–Pyarelal | C Minor | 8 | 5A | 115 BPM | ||
| Tere Mere Beech Men (Duet) | Lata Mangeshkar, S. P. Balasubrahmanyam | F♯ Minor | 6 | 11A | 167 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Tujhe Suraj Kahoon Ya Chanda | Manna Dey | F♯ Minor | 6 | 11A | 79 BPM | ||
| Mera Dil Leke Chal Diye | Asha Bhosle | D♭ Major | 5 | 3B | 191 BPM | ||
| Angna Aayenge Sanwariya | Deven Verma, Pamela Chopra | E Minor | 8 | 9A | 115 BPM | ||
| Buri Nazarwale | Shabbir Kumar | C Minor | 6 | 5A | 169 BPM | ||
| Sapno Mein Aana Dil Mein Samana | Anuradha Paudwal, S. P. Balasubrahmanyam | A Minor | 6 | 8A | 158 BPM | ||
| Jab Jab Tu Mere Samne Aaye | Jaspal Singh | A Major | 6 | 11B | 91 BPM | ||
| Kar Singar and Sur Bin Taan Nahin | Sulakshana Pandit, Aarti Mukherji, Purshottam Das Jalota, Anand Kumar C. | D Minor | 5 | 7A | 154 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Poochhe Jo Koi Mujhse | Mohammed Rafi, Laxmikant–Pyarelal | D Major | 7 | 10B | 147 BPM | ||
| Main Tera Ashiq Hoon | Roop Kumar Rathod, Laxmikant–Pyarelal | B Major | 8 | 1B | 123 BPM | ||
| Aaise Waise Na Samajh Sajna | Asha Bhosle, Laxmikant–Pyarelal | C Minor | 4 | 5A | 167 BPM | ||
| Ilu Ilu | Kavita Krishnamurthy, Manhar Udhas, Udit Narayan, Laxmikant–Pyarelal | A Major | 6 | 11B | 113 BPM | ||
| Kismat Ki Jeb Mein | Mehmood | C Major | 4 | 8B | 109 BPM | ||
| Romeo Naam Mera | Vinod Rathod, Laxmikant–Pyarelal | A Major | 9 | 11B | 108 BPM | ||
| Santoor | Shivkumar Sharma | B Minor | 3 | 10A | 136 BPM | ||
| Mubarak Ho Tum Sabko Haj Ka Mahina - Coolie / Soundtrack Version | Shabbir Kumar, Laxmikant–Pyarelal, Anand Bakshi | E Minor | 6 | 9A | 144 BPM | ||
| Bahut Pyar Karte Hai - Male Version | S. P. Balasubrahmanyam | E Minor | 5 | 9A | 124 BPM | ||
| Tere Pyar Ko Salam O Sanam | Alka Yagnik, Laxmikant–Pyarelal | D Major | 7 | 10B | 80 BPM | ||
| Kabootar Ja Ja Ja | Lata Mangeshkar, S. P. Balasubrahmanyam | F♯ Major | 5 | 2B | 93 BPM | ||
| Meri Munni Rani So Ja | K. J. Yesudas | C Minor | 3 | 5A | 144 BPM |