On December 31, 1943, the song "Anandhamithe, Paramananthamithe" was released by Vasundhara Devi, Kothamangalam Subbu. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in S. Rajeshwar Rao, Kothamangalam Subbu's "Mangamma Sabatham (Original Motion Picture Soundtrack)" album is number 1 out of 14. On top of that, India appears to be the country where this track was created. Based on our statistics, Anandhamithe, Paramananthamithe's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Anandhamithe, Paramananthamithe by Vasundhara Devi, Kothamangalam Subbu to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kalmnum Santhosham - From "Era Vazhi Caviyangal" | Ilaiyaraaja | E Major | 2 | 12B | 131 BPM | ||
| Enga Vur Mariamma | Malaysia Vasudevan | D♭ Major | 8 | 3B | 115 BPM | ||
| Sankaran Maindhane | Dr. Seerkazhi S. Govindarajan | B♭ Minor | 3 | 3A | 61 BPM | ||
| Arivukku Velaikodu | T. M. Soundararajan | E Major | 6 | 12B | 143 BPM | ||
| Aiyayya Solla Vetkamaguthe | Vasundhara Devi, Kothamangalam Subbu | G Major | 3 | 9B | 132 BPM | ||
| Viduthalai - Trmahalingam | T. R. Mahalingam, Subramania Bharati | G Minor | 3 | 6A | 56 BPM | ||
| Gnana Pazhaththai | K. B. Sundarambal, Sakanradas Swamigal | G Major | 2 | 9B | 78 BPM | ||
| Neeradi Pattuduthi | Vani Jairam | E Major | 5 | 12B | 121 BPM | ||
| Kandar Alankaram, Pt. 1 | Sirkazhi Govindarajan, Kripananda Variyar | D Major | 7 | 10B | 190 BPM | ||
| Vaanam Thottu Pona (From "Dhevar Magan") | S. P. Balasubrahmanyam | D Major | 2 | 10B | 135 BPM | ||
| Chandirarum Sooriyarum | Ilaiyaraaja | G Major | 4 | 9B | 128 BPM | ||
| Mama Thirudan Aalmarattam | S.Ve.Shekher | D Major | 6 | 10B | 87 BPM | ||
| Malar Kodutthen, Pt. 1 | T. M. Soundararajan | B♭ Major | 5 | 6B | 82 BPM | ||
| Anbe Vaa | T. M. Soundararajan | C Major | 3 | 8B | 102 BPM | ||
| Punidha Dheenorey | Nagore E.M. Haniffa, Chorus | E Minor | 2 | 9A | 85 BPM | ||
| Roja Ondru | Ilaiyaraaja, S. P. Balasubrahmanyam, S. Janaki | F♯ Major | 3 | 2B | 99 BPM | ||
| Kann Pona Pokkile | T. M. Soundararajan | A♭ Major | 2 | 4B | 152 BPM | ||
| Bhoomiyil Poovaiyare | Vasundhara Devi | A♭ Major | 5 | 4B | 74 BPM | ||
| Pachondhiye Kelada | Ilaiyaraaja, S. P. Balasubrahmanyam | A Major | 6 | 11B | 148 BPM | ||
| Pachchaikkili (From "Ulagam Sutrum Valiban") | T. M. Soundararajan, P. Susheela | F♯ Major | 5 | 2B | 97 BPM | ||
| Intha Aattukkum | C. S. Jayaraman | D♭ Minor | 3 | 12A | 125 BPM | ||
| Olakkurutholai | Ilaiyaraaja, K. S. Chithra | F♯ Minor | 5 | 11A | 106 BPM | ||
| Anandhame Un Katchi | Vasundhara Devi | A♭ Major | 5 | 4B | 74 BPM | ||
| Neengal Varume | A. R. Ramani Ammal | D♭ Major | 3 | 3B | 178 BPM | ||
| Paravaigal Palavidham | T. M. Soundararajan | F♯ Major | 4 | 2B | 61 BPM |