Tyler Bates's ' "Gyspsy Thief" was released on its scheduled release date, 2013. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Way (Music from the Motion Picture)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Gyspsy Thief is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Gyspsy Thief by Tyler Bates having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dangerous Job | Chris Benstead | D♭ Major | 1 | 3B | 151 BPM | ||
| The Machination | NINJA TRACKS | A♭ Major | 6 | 4B | 64 BPM | ||
| Swarm Down | Audiomachine | D Major | 8 | 10B | 130 BPM | ||
| Wikus Is Still Running | Clinton Shorter | D♭ Major | 7 | 3B | 114 BPM | ||
| La Vendetta | Tyler Bates, Joel J. Richard | D Minor | 6 | 7A | 175 BPM | ||
| Burly Brawl | Juno Reactor, Don Davis | E Minor | 9 | 9A | 100 BPM | ||
| I Thought They Came to Rescue Us | Jon Ekstrand | D♭ Major | 4 | 3B | 142 BPM | ||
| Tennyson | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | B♭ Minor | 1 | 3A | 158 BPM | ||
| Machine | Steven Price | C Minor | 2 | 5A | 66 BPM | ||
| Kruger Suits Up | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Harlem Brawl | Craig Armstrong | A♭ Major | 6 | 4B | 195 BPM | ||
| Wrath of Man | Chris Benstead | D♭ Major | 3 | 3B | 137 BPM | ||
| Guns & Turtlenecks | Tyler Bates, Joel J. Richard | F♯ Minor | 7 | 11A | 136 BPM | ||
| The Storm | Secession Studios, Greg Dombrowski | A♭ Minor | 4 | 1A | 90 BPM | ||
| Wars of Faith | Audiomachine | C Minor | 4 | 5A | 91 BPM | ||
| Number 1 Loses It | Chris Benstead | A♭ Major | 3 | 4B | 137 BPM | ||
| Cosmology | Stephen Barton | D♭ Minor | 2 | 12A | 102 BPM | ||
| The Void | Joseph Shirley, Maiya Sykes | E Minor | 3 | 9A | 143 BPM | ||
| No Courage Without Fear | Christophe Beck | C Minor | 4 | 5A | 85 BPM | ||
| Violence and Timing | Sarah Schachner | F Minor | 5 | 4A | 123 BPM | ||
| Convoy | Jóhann Jóhannsson | B Minor | 1 | 10A | 90 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| The New Colossus | Mick Gordon | D Major | 3 | 10B | 143 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| The Trial of Solomon Grundy | Mark Isham | G Minor | 1 | 6A | 67 BPM |