On January 3, 1988, the song "Haydn (The Final Cut) - Bonus Track" was released by Attrition. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 19 in At the Fiftieth Gate (Remastered) by Attrition. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Haydn (The Final Cut) - Bonus Track is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Haydn (The Final Cut) - Bonus Track by Attrition is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heaven Can't Heal | Circuit Preacher | D Minor | 7 | 7A | 120 BPM | ||
| We Must Wait | Haujobb, Jean-Luc De Meyer | D Major | 9 | 10B | 127 BPM | ||
| Dissolve | Switchblade Symphony | F Major | 3 | 7B | 150 BPM | ||
| Atomic Fever | Ryan J. Lyons | A Major | 3 | 11B | 107 BPM | ||
| Thorns (Distant Vocals Version) | :Wumpscut: | B Minor | 9 | 10A | 114 BPM | ||
| Terrorvision | Manufacture | B♭ Minor | 5 | 3A | 120 BPM | ||
| Torn Skin | :Wumpscut: | C Major | 6 | 8B | 122 BPM | ||
| Scenario | Attrition | A♭ Minor | 10 | 1A | 115 BPM | ||
| A'dam And Eva (Refrain) | Martin Bowes, Julia Niblock, Attrition, Henry Purcell | E♭ Minor | 3 | 2A | 180 BPM | ||
| I Am Your Conscience | Leæther Strip | G Major | 7 | 9B | 120 BPM | ||
| Blue Heat - Remastered | Cabaret Voltaire | B♭ Major | 8 | 6B | 127 BPM | ||
| Stay out of the Water | Click Click | G Major | 9 | 9B | 126 BPM | ||
| Al Infinito | Zero Kalle | D♭ Major | 7 | 3B | 123 BPM | ||
| Order / Chaos - Instrumental Version | Klee | D Minor | 8 | 7A | 90 BPM | ||
| L'aulne et la mort | Collection D'Arnell-Andrea | D♭ Major | 9 | 3B | 180 BPM | ||
| Animal Nation | Various Artists, Revolting Cocks | C Major | 9 | 8B | 116 BPM | ||
| She Left - 2018 Remaster | C-Tec | F Minor | 9 | 4A | 92 BPM | ||
| Steine | THON | D Minor | 8 | 7A | 134 BPM | ||
| Failures | Haujobb | G Major | 8 | 9B | 112 BPM | ||
| Behind Glass | Statiqbloom | B♭ Minor | 10 | 3A | 106 BPM | ||
| Waste Not, Want... More | Attrition | D♭ Major | 9 | 3B | 131 BPM | ||
| 51st State of America | Test Dept | G Major | 8 | 9B | 130 BPM | ||
| Liberated | Die Warzau | B♭ Minor | 9 | 3A | 102 BPM | ||
| The More It Changes | The Legendary Pink Dots | D♭ Major | 3 | 3B | 122 BPM | ||
| Bite of God | Die Form | G Major | 8 | 9B | 105 BPM |