Leo Gandelman's 'Living On Sand' had a release date set for May 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 13 in Brazilian Soul by Leo Gandelman. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. Based on our statistics, Living On Sand's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Living On Sand by Leo Gandelman is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| Tears In The Rain | Steve Laury | G Minor | 5 | 6A | 125 BPM | ||
| Shakin Not Stirred | Brian Hughes | B♭ Minor | 7 | 3A | 137 BPM | ||
| Niculela Es Una Historia / I Am Singing - Medley | Najee | G Major | 4 | 9B | 101 BPM | ||
| Scenic Route | Bryan Savage | G Minor | 5 | 6A | 102 BPM | ||
| Front Street | Andrea Razzauti | G Major | 5 | 9B | 79 BPM | ||
| Sem Ninguém | Leo Gandelman, Machine Series, Luccas Carlos | G Major | 5 | 9B | 93 BPM | ||
| Meet the Moon | Chris Geith | B♭ Minor | 8 | 3A | 116 BPM | ||
| After Hours Glow | Calm Sequence | B Minor | 5 | 10A | 81 BPM | ||
| A Perfect Day | Freddie Ravel | D Major | 7 | 10B | 92 BPM | ||
| Phantom Motel | Redline Jazz | D Minor | 7 | 7A | 92 BPM | ||
| Visões | Leo Gandelman | C Major | 6 | 8B | 86 BPM | ||
| Until Now | Nate Najar | E♭ Major | 6 | 5B | 142 BPM | ||
| Quero Você Aqui | Leo Gandelman, Machine Series, Xis | F♯ Minor | 6 | 11A | 94 BPM | ||
| Iemanjá | Ray Obiedo | D Minor | 6 | 7A | 90 BPM | ||
| Pamela | Brian Hughes | A♭ Minor | 7 | 1A | 120 BPM | ||
| At Midnight | Bob Mamet | G Minor | 7 | 6A | 100 BPM | ||
| Figure of Speech | Superflier | B Minor | 5 | 10A | 81 BPM | ||
| Quiet Air Ensemble | Oddframe | B Minor | 5 | 10A | 81 BPM | ||
| Room Corners | Olver Brown | B Minor | 5 | 10A | 81 BPM | ||
| On And On / Fire | Chuck Loeb | A Major | 6 | 11B | 96 BPM | ||
| Deslize | Di Stéffano, Eduardo Farias, Ricardo Silveira | D Major | 7 | 10B | 126 BPM | ||
| Cheeky Stripes | Crocodelic | G Minor | 5 | 6A | 113 BPM | ||
| Short, Sweet and Sexy | Blake Aaron | A Minor | 7 | 8A | 100 BPM | ||
| El Peso de lo Invisible | Aurelia Wave | B Minor | 5 | 10A | 81 BPM |