On 2002, the song "Mathar Kesh Diya Bondhu" was released by Polash, Jhuma Khandakar. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Mathar Kesh Diya Bondhu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emon Saha, Waadud Rongila's "Khairun Sundori (Original Motion Picture Soundtrack)" album is number 6 out of 9. Based on our statistics, Mathar Kesh Diya Bondhu's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mathar Kesh Diya Bondhu by Polash, Jhuma Khandakar to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| আপন মানুষ দুঃখ দিলে যায় কি মুখে বলা | Polash | B Minor | 6 | 10A | 120 BPM | ||
| Orao Manush | Monir Khan | B Major | 6 | 1B | 76 BPM | ||
| Tumi Ailana | Kazi Shuvo | B♭ Major | 6 | 6B | 88 BPM | ||
| Samla Baron kishori | Fazlur Rahman Babu | C Major | 5 | 8B | 135 BPM | ||
| Tumi Amay Bhule Gele | Smritikona Roy | F♯ Minor | 8 | 11A | 101 BPM | ||
| অতি আপন ভাবলাম যারে | Danesh Ali | F Minor | 7 | 4A | 82 BPM | ||
| Dewana Ang | Bodo Dhun | B♭ Major | 7 | 6B | 100 BPM | ||
| Majhi Nau | Sabina Yasmin | B Major | 7 | 1B | 160 BPM | ||
| Man Amar Kemon Kemon Kore | Kumar Kamal | G Major | 8 | 9B | 126 BPM | ||
| Baba | Sukumar Baul | C Major | 7 | 8B | 75 BPM | ||
| Mamar Halim Ar Hajir Biriyani | Rizia Parvin, Polash | F♯ Major | 9 | 2B | 174 BPM | ||
| Hridoy Porar Jala | Akash Mahmud | B♭ Major | 6 | 6B | 148 BPM | ||
| Jora Talir Jibon | Pagol Hasan | D♭ Major | 7 | 3B | 86 BPM | ||
| Hay Hay Hay | Baby Naznin, Polash, Ruxy, Moni Kishor | G Major | 9 | 9B | 136 BPM | ||
| Mon Pakhi | F. A. Sumon | C Major | 5 | 8B | 166 BPM | ||
| Mone Kori Assam Jabo | Pousali Banerjee | D Major | 6 | 10B | 110 BPM | ||
| Thukraiya Thukraiya Pakhi Koilja Sira Khai | Sathi Khan | D♭ Major | 7 | 3B | 138 BPM | ||
| Bilakhi Bisona (Best Of Mahendra Hazarika) | Mahendra Hazarika | F♯ Minor | 9 | 11A | 90 BPM | ||
| Beiman Pakhi | Sathi Khan | D Minor | 6 | 7A | 80 BPM | ||
| Sivasagar Xosai Muhoniya (Duet) | Mahendra Hazarika, Prarthana Borthakur | D♭ Major | 9 | 3B | 144 BPM | ||
| Ami Na Dekhe Thakte Pari Na | Fahida Nabi, Polash | G Major | 5 | 9B | 106 BPM | ||
| Tui To Rupa Sukhai Asis | Emon Khan | A Major | 8 | 11B | 150 BPM | ||
| Miling Malang | Biswamani Debbarma, Bibha Debbarma | F Minor | 7 | 4A | 130 BPM | ||
| Jibon Furiye Jabe - From "Bidroho Charidike" | Andrew Kishore, Kanak Chapa, Ahmed Imtiaz Bulbul | G Major | 6 | 9B | 165 BPM | ||
| Gari Signal | Surojit, Soumitra | B Minor | 7 | 10A | 180 BPM |