World Of Woe's ' "Lost In Atacama" was released on its scheduled release date, February 21, 2021. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Tango and Wines". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Russia. Based on our statistics, Lost In Atacama's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Lost In Atacama by World Of Woe having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Windermere Children | Alex Baranowski, Angèle Dubeau, La Pietà | G Major | 2 | 9B | 77 BPM | ||
| Razones De Peso | Hasta El Final | E Major | 1 | 12B | 77 BPM | ||
| Sementa | Pasquale Catalano, Marco D’amore | D Major | 1 | 10B | 116 BPM | ||
| Serenade for Strings in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, United Strings of Europe, Julian Azkoul | C Major | 2 | 8B | 107 BPM | ||
| The Lark Ascending: II. Allegretto tranquillo, quasi andante | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Major | 1 | 10B | 88 BPM | ||
| A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | ||
| Your green harp | Jalaapeno | F Minor | 0 | 4A | 70 BPM | ||
| Sangue versato | Sirenas Celestiales | G Minor | 2 | 6A | 62 BPM | ||
| Desde lo invisible : 1. | Juan Pablo Fernández Ramos | G Major | 1 | 9B | 83 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 60 BPM | ||
| Vespers opus 37: Nunc dimittis | Sergei Rachmaninoff, Sonia Wieder-Atherton, Sinfonia Varsovia, Christophe Mangou | D Major | 1 | 10B | 116 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Respeto Cuestionado | Ninfas De Ultramar | D Major | 1 | 10B | 116 BPM | ||
| The Rose | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| Tenerife | Gracy Westwood, Grace Westwood | D♭ Major | 2 | 3B | 83 BPM | ||
| Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Can't Lose Won't Lose | Fiona Ubong | B♭ Minor | 1 | 3A | 66 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | ||
| Concerto, Op. 06, No. 1: II. Allegro (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | D Major | 1 | 10B | 116 BPM | ||
| Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM |