"Final Search" by Charles Bernstein had its release date on November 16, 1984. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wes Craven's A Nightmare on Elm Street (Original Motion Picture Soundtrack) by Charles Bernstein. The song's track number on the album is #30 out of 34 tracks. Based on our data, United States was the country where this track was produced or recorded. Final Search is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Final Search by Charles Bernstein has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Final Search being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarah On The Run - Remastered 2017 | Brad Fiedel | D Major | 6 | 10B | 132 BPM | ||
| The Descent | David Julyan | D♭ Minor | 2 | 12A | 65 BPM | ||
| The Cemetery / Coffins and Maggots and Worms -- Oh My! | Harry Manfredini | G Major | 5 | 9B | 138 BPM | ||
| The Boat on the Water – Closing Theme 1 / Jason in the Lake | Harry Manfredini | C Major | 3 | 8B | 143 BPM | ||
| Abduction | Mark Korven | B Minor | 6 | 10A | 120 BPM | ||
| Better Check The Kids | John Carpenter | B Major | 1 | 1B | 109 BPM | ||
| Bad Dreams - Alternate | James Horner, London Symphony Orchestra | G Minor | 2 | 6A | 91 BPM | ||
| Blood Box | Lovett | B Major | 4 | 1B | 111 BPM | ||
| Sienna | Paul Wiley | D Major | 5 | 10B | 130 BPM | ||
| Black bile | joseph bishara | D Major | 3 | 10B | 100 BPM | ||
| Five Pieces For Orchestra, OP 10 (Sehr-langsam und ausserst ruhig) | The National Philharmonic Orchestra-Conducted by Leonard Slatkin | F♯ Minor | 1 | 11A | 104 BPM | ||
| Insequi | Mark Snow | D♭ Major | 9 | 3B | 160 BPM | ||
| Drive To Siege | Charles Bernstein | F Minor | 1 | 4A | 60 BPM | ||
| Night Flight | Terrortron | F♯ Minor | 9 | 11A | 120 BPM | ||
| Main | Trevor Rabin | A Major | 3 | 11B | 77 BPM | ||
| Opening | David Julyan | F Major | 0 | 7B | 77 BPM | ||
| Prelude / Last Day of Sun | Brian Reitzell | F Major | 2 | 7B | 86 BPM | ||
| Creeper | Terrortron | F♯ Major | 5 | 2B | 75 BPM | ||
| Rachmaninoff's Nightmare | Charles Bernstein, Carol Cabrero | F♯ Minor | 1 | 11A | 80 BPM | ||
| He's Still Alive / Romero | John Carpenter, Alan Howarth | B Minor | 5 | 10A | 84 BPM | ||
| The Descent, Pt. 2 | David Julyan | D♭ Minor | 2 | 12A | 80 BPM | ||
| Main Titles | Danny Lux | E Major | 3 | 12B | 130 BPM | ||
| Tie Him Up | Adrian Johnston | C Minor | 1 | 5A | 63 BPM | ||
| Main Theme - Desolation | Alan Howarth, Larry Hopkins | F Minor | 1 | 4A | 99 BPM | ||
| Blue Bird | Stapal | E♭ Major | 8 | 5B | 158 BPM |