"Les existences" by Matthieu Gonet had its release date on November 17, 2017. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matthieu Gonet's "Madame (Original Motion Picture Soundtrack)" album is number 10 out of 22. Les existences is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les existences by Matthieu Gonet to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La lettre de Marie | Laurent Perez Del Mar | C Major | 5 | 8B | 130 BPM | ||
| Emilio Is Lost | Arnau Bataller, Simon Smith | B♭ Minor | 0 | 3A | 59 BPM | ||
| Orient Express Suite | Patrick Doyle | G Major | 4 | 9B | 82 BPM | ||
| El maestro de la Alta Costura | Alberto Iglesias, Juan Pérez Floristán | D♭ Minor | 1 | 12A | 117 BPM | ||
| N'attrape pas froid | Laurent Aknin | A Minor | 2 | 8A | 73 BPM | ||
| Seul | Christophe Julien | D Minor | 2 | 7A | 66 BPM | ||
| Le discours d'Arthur | Jérôme Rebotier | G Minor | 1 | 6A | 72 BPM | ||
| Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
| Paris, printemps 1971 | Grégoire Hetzel | G Major | 1 | 9B | 67 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| Creditos Finales | Ivan Palomares | B Major | 2 | 1B | 87 BPM | ||
| Polka della Liberazione | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Venise n'est pas en Italie | Laurent Aknin | E Minor | 3 | 9A | 105 BPM | ||
| Guitar Forever | Christophe Julien | A Minor | 2 | 8A | 132 BPM | ||
| Avresti Dovuto Essere Tu | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Simple Serenade | Patrick Thomas Hawes | A Major | 0 | 11B | 78 BPM | ||
| Animals in the Wild | Bruno Alexiu | A Minor | 2 | 8A | 120 BPM | ||
| Homesick and Sled Ride | Niki Reiser | A Minor | 3 | 8A | 86 BPM | ||
| Fall | Laurent Aknin | A♭ Minor | 3 | 1A | 110 BPM | ||
| Welcome to Ireland | Amelia Warner | F Major | 2 | 7B | 108 BPM | ||
| Rest Easy | Paul Mottram | C Major | 2 | 8B | 76 BPM | ||
| Lowry’s Theme | Craig Armstrong | D Minor | 2 | 7A | 120 BPM | ||
| Entre soi | Matthieu Gonet | C Major | 4 | 8B | 132 BPM | ||
| Les retrouvailles de Daniel | Matthieu Gonet | A Major | 1 | 11B | 92 BPM | ||
| I Had A Compass From Denys (Karen's Theme II) | John Barry | D Minor | 2 | 7A | 86 BPM |