Quincy Jones's ' "Robot Portrait" was released on its scheduled release date, 1962. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "The Quintessence". In this album, this song's track order is #2. Based on our statistics, Robot Portrait's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Robot Portrait by Quincy Jones having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Change Horses (In the Middle of a Stream) | Tower Of Power | C Major | 8 | 8B | 99 BPM | ||
| Impulsive | Paul Gonsalves | B♭ Major | 4 | 6B | 135 BPM | ||
| Pink Panther Theme | Quincy Jones | E Minor | 2 | 9A | 63 BPM | ||
| Manhattan (Original Mix) | George Russell | G Major | 3 | 9B | 124 BPM | ||
| Catching the Sun | Spyro Gyra | F Major | 5 | 7B | 96 BPM | ||
| In The Evening When The Sun Goes Down | Lou Rawls, Les McCann Ltd. | G Major | 2 | 9B | 163 BPM | ||
| Beauty and the Beast | Wayne Shorter | G Minor | 6 | 6A | 140 BPM | ||
| Blackbyrds' Theme | The Blackbyrds | G Major | 6 | 9B | 115 BPM | ||
| Slow Hot Wind | James Moody | B♭ Minor | 3 | 3A | 86 BPM | ||
| Granite and Concrete | Blue Mitchell | B♭ Minor | 6 | 3A | 93 BPM | ||
| Down Home Style | Jack McDuff | C Major | 6 | 8B | 134 BPM | ||
| Shirley | The SWR Big Band, Sammy Nestico, Decebal Badila, Klaus Wagenleiter | B♭ Minor | 3 | 3A | 116 BPM | ||
| Soul Stirrin' | Bennie Green | F Minor | 5 | 4A | 93 BPM | ||
| Summer Days | Lonnie Liston Smith, The Cosmic Echoes | A♭ Major | 9 | 4B | 126 BPM | ||
| Doozy | Benny Carter | F Major | 4 | 7B | 165 BPM | ||
| Gettin' To It | Christian McBride | F♯ Major | 4 | 2B | 100 BPM | ||
| Hi-Heel Sneakers - Remastered | Blue Mitchell | C Minor | 7 | 5A | 112 BPM | ||
| Alive and Well | Phil Woods | G Major | 9 | 9B | 119 BPM | ||
| Latona | Big John Patton | E Major | 8 | 12B | 103 BPM | ||
| Zigaboogaloo | Nicholas Payton | D♭ Major | 6 | 3B | 148 BPM | ||
| Walkin' Bass | Henry Mancini | B♭ Minor | 2 | 3A | 114 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Kansas City | Jay McShann | F Major | 5 | 7B | 148 BPM | ||
| Why Wait | Stanley Clarke | B♭ Major | 3 | 6B | 139 BPM | ||
| Hallelujah I Love Her So | Maceo Parker | E♭ Major | 4 | 5B | 99 BPM |