A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce's 'Chapter 13 - Later Life' had a release date set for March 1, 1995. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in A.R.Gurney's "Later Life" album is number 13 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Chapter 13 - Later Life's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Chapter 13 - Later Life by A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trial by Jury: Is This the Court of the Exchequer? | Gilbert & Sullivan Society of Houston | D Minor | 2 | 7A | 120 BPM | ||
| The Chimes of Midnight, Pt. 2, Track 3 | Doctor Who, Robert Shearman, Paul McGann, India Fisher | E Minor | 5 | 9A | 67 BPM | ||
| 6. Stop! ladies, pray! A man! | Arthur Sullivan, Pauline Wales, Jean Allister, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Minor | 0 | 3A | 169 BPM | ||
| Track 2 - The Sirens of Time Part 1 | Doctor Who, Nicholas Briggs, Peter Davison, Colin Baker, Sylvester McCoy | B Major | 2 | 1B | 77 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 64 BPM | ||
| H.M.S. Pinafore / Act 1: Sir, you are sad | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 170 BPM | ||
| Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM | ||
| Glucksey's Birthday Song | Sean William, Gordon C. Gauthier, Scott Hull | B♭ Minor | 2 | 3A | 80 BPM | ||
| Lesson 8i | Kieran Ball | B♭ Minor | 1 | 3A | 125 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| She Walks In Beauty | Alex Jennings | F Minor | 1 | 4A | 63 BPM | ||
| Semele, HWV 58 / Act 3: Leave Me, Loathsome Light | George Frideric Handel, Samuel Ramey, English Chamber Orchestra, John Nelson | A♭ Major | 1 | 4B | 91 BPM | ||
| The Mikado / Act 1: 15. The threaten'd cloud has pass'd away | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 115 BPM | ||
| Ode to Melancholy | Robert Donat | A♭ Major | 1 | 4B | 93 BPM | ||
| One Mitzva | Rabbi Yoel Ferber | A♭ Minor | 1 | 1A | 134 BPM | ||
| Dance At the Palace, Pt. 5 | Paul the Dreamtraveler | C Major | 2 | 8B | 106 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Track 1 - The Sirens of Time Part 1 | Doctor Who, Nicholas Briggs, Peter Davison, Colin Baker, Sylvester McCoy | C Major | 3 | 8B | 75 BPM | ||
| The First Child: When you find the right person | Donnacha Dennehy, Irish National Opera, Crash Ensemble, Ryan McAdams, Niamh O'Sullivan | G Minor | 2 | 6A | 80 BPM | ||
| Jolivet : Poèmes intimes : I Amour | André Jolivet, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 1 | 12B | 74 BPM | ||
| Dance At the Palace, Pt. 3 | Paul the Dreamtraveler | F Minor | 3 | 4A | 123 BPM | ||
| L4 Dialog 2 | BRASAS English Course | A Major | 2 | 11B | 121 BPM | ||
| Porgy And Bess: A Woman Is a Sometime Thing | George Gershwin, Alexander B. Smalls, John DeMain, Houston Grand Opera Orchestra, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| Chapter 11: Full Moon Over Falkenstein | Bibi and Tina | A Major | 2 | 11B | 97 BPM |