"To Whom It May Concern" by Underoath had its release date on January 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Define The Great Line by Underoath. Based on our statistics, To Whom It May Concern's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of To Whom It May Concern by Underoath is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Short Stories With Tragic Endings | From Autumn To Ashes | A Minor | 8 | 8A | 94 BPM | ||
| Anchors | Secret & Whisper | G Minor | 10 | 6A | 92 BPM | ||
| Casablanca | Emarosa | G Major | 9 | 9B | 89 BPM | ||
| Teach: | The Chariot | F♯ Major | 9 | 2B | 120 BPM | ||
| The Past the Love the Memory | A Skylit Drive | E Minor | 5 | 9A | 139 BPM | ||
| A Small Spark Vs. A Great Forest | Norma Jean | D♭ Minor | 10 | 12A | 123 BPM | ||
| Kiss Me, I'm Contagious | From First To Last | F Major | 9 | 7B | 105 BPM | ||
| Falling From The Sky: Day Seven | Norma Jean | B♭ Minor | 7 | 3A | 134 BPM | ||
| Discovering The Waterfront | Silverstein | D Major | 8 | 10B | 126 BPM | ||
| Hey, It's Your Funeral Mama | Alexisonfire | A♭ Major | 9 | 4B | 112 BPM | ||
| Porcelain Hearts And Hammers For Teeth | The Bled | C Minor | 8 | 5A | 124 BPM | ||
| In Vogue | Drop Dead, Gorgeous | G Minor | 9 | 6A | 176 BPM | ||
| Trailer Park Jesus | Glassjaw | A Major | 9 | 11B | 126 BPM | ||
| Anchor | Misery Signals | A♭ Major | 9 | 4B | 166 BPM | ||
| Mediocre Shakespeare | Being As An Ocean | G Major | 10 | 9B | 90 BPM | ||
| Moving For The Sake Of Motion | Underoath | A Major | 10 | 11B | 185 BPM | ||
| Apology | Alesana | G Major | 9 | 9B | 107 BPM | ||
| When The Sun Sleeps | Underoath | E Minor | 10 | 9A | 148 BPM | ||
| Basement Ghost Singing | Armor For Sleep | B Minor | 9 | 10A | 133 BPM | ||
| This Room Is Alive | Being As An Ocean | B♭ Major | 10 | 6B | 111 BPM | ||
| It's Myself Vs. Being A Man | Inhale Exhale | B♭ Major | 9 | 6B | 102 BPM | ||
| Coming Down Is Calming Down | Underoath | G Major | 10 | 9B | 95 BPM | ||
| Blood Runs Forever | Scary Kids Scaring Kids | F Minor | 9 | 4A | 91 BPM | ||
| How Long Is The Night? | Thursday | C Major | 7 | 8B | 150 BPM | ||
| Salute e vita | Being As An Ocean | G Minor | 10 | 6A | 83 BPM |