Carl Michael Ziehrer, Czech Philharmonic Chamber Orchestra, John Georgiadis's 'John March, Op. 285 (Arr. for Orchestra)' had a release date set for May 5, 2015. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 16 in Contemporaries of the Strauss Family, Vol. 1 by Czech Philharmonic Chamber Orchestra, John Georgiadis. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, John March, Op. 285 (Arr. for Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of John March, Op. 285 (Arr. for Orchestra) by Carl Michael Ziehrer, Czech Philharmonic Chamber Orchestra, John Georgiadis is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | B♭ Major | 1 | 6B | 58 BPM | ||
| Macbeth, Act III: Ballet Music | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 102 BPM | ||
| Die schöne Galathée (The Beautiful Galatea): Ouverture | Franz von Suppé, Jörg Dürmüller, Marianne Beate Kielland, Klaus Hager, Eleonore Marguerre, Christian Brückner, Ruhr ChorWerk, Cappella Coloniensis, Bruno Weil | D Major | 1 | 10B | 119 BPM | ||
| Wiener Garnison-Marsch, op.20 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | B♭ Major | 2 | 6B | 108 BPM | ||
| Album pour mes petits amis, Op. 14: VI. Marche des petits soldats de plomb | Gabriel Pierné, Owain Arwel Hughes, Hallé Orchestra | F Major | 2 | 7B | 104 BPM | ||
| Ein Blick nach Ihr!, Polka schnell, Op. 55 | Carl Michael Ziehrer, Razumovsky Symphony Orchestra, Christian Pollack | G Major | 4 | 9B | 153 BPM | ||
| Die Landstreicher, Act II: Wir kommen von Marokko | Carl Michael Ziehrer, Thomas Dewald, Maria Leyer, Espen Fegran, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer | D Major | 5 | 10B | 70 BPM | ||
| En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
| Schönfeld | Carl Michael Ziehrer, Blasorchester Stadtmusik Luzern | E♭ Major | 4 | 5B | 111 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| La Scala Di Seta: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | C Major | 3 | 8B | 133 BPM | ||
| Friedenspalmen, Walzer, Op. 207 | Josef Strauss, Wiener Philharmoniker, Yannick Nézet-Séguin | D Major | 2 | 10B | 83 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Spielduett | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Andrea Zidaric, Christian Drescher, Hans Schadenbauer | E♭ Major | 3 | 5B | 103 BPM | ||
| Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 78 BPM | ||
| Silver Mist | Luna Mystic | A Minor | 2 | 8A | 176 BPM | ||
| Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
| Musetta's Waltz Song (La Boheme) | Geoff Love & His Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: Elojatek | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | C Minor | 4 | 5A | 149 BPM | ||
| Echoes of Day | Nuit | G Major | 5 | 9B | 104 BPM | ||
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 78 BPM | ||
| Gaite Parisienne (after J. Offenbach): 8.Valse lente | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 1 | 10B | 68 BPM | ||
| Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM |