Memphis May Fire's 'Vaulted Ceilings' had a release date set for November 2, 2010. Vaulted Ceilings is considered explicit and may contain foul language. This song is about 3 minutes and 20 seconds, which is about the average length of a typical song. The song is number 3 out of 5 in Between The Lies by Memphis May Fire. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Vaulted Ceilings's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vaulted Ceilings by Memphis May Fire is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Commanded | Memphis May Fire | D♭ Major | 10 | 3B | 145 BPM | ||
| Always Begin | Circa Survive | F Minor | 9 | 4A | 99 BPM | ||
| Vices | Memphis May Fire | F Minor | 10 | 4A | 145 BPM | ||
| Washed Up | The Plot In You | D♭ Major | 10 | 3B | 120 BPM | ||
| Go Be the Voice | Beartooth | F Minor | 10 | 4A | 128 BPM | ||
| Princeton Ave | Issues | D Major | 9 | 10B | 159 BPM | ||
| Atypical | Life On Repeat | A♭ Major | 10 | 4B | 128 BPM | ||
| Small World | There For Tomorrow | C Minor | 8 | 5A | 132 BPM | ||
| Nothing At All | Taking Back Sunday | A♭ Major | 4 | 4B | 142 BPM | ||
| If Not, For Ourselves | Woe, Is Me | F Major | 10 | 7B | 184 BPM | ||
| Where You Let It Go | I The Mighty | G Minor | 5 | 6A | 100 BPM | ||
| The Woodworker | Falling Up | A Minor | 6 | 8A | 121 BPM | ||
| Isabella's | Destroy The Runner | F Minor | 9 | 4A | 180 BPM | ||
| Song For The Broken | Close Your Eyes | E♭ Minor | 9 | 2A | 129 BPM | ||
| Relapse | Speech Patterns | B Minor | 9 | 10A | 145 BPM | ||
| The Fire Down Below | SLAVES | A Minor | 10 | 8A | 150 BPM | ||
| I. | Woe, Is Me | F Minor | 8 | 4A | 156 BPM | ||
| Waking Up | Dangerkids | D Minor | 10 | 7A | 138 BPM | ||
| Hard Branch to Snap | This Or The Apocalypse | B Minor | 10 | 10A | 105 BPM | ||
| The End | Silverstein, Lights | E Major | 6 | 12B | 105 BPM | ||
| Lack Thereof | SYCAMOUR | A Major | 9 | 11B | 122 BPM | ||
| Loreley (The Lovers) | In Hearts Wake | A Minor | 10 | 8A | 116 BPM | ||
| Inertia (The Hermit) | In Hearts Wake, Garret Rapp | D Major | 6 | 10B | 120 BPM | ||
| If They're Not Counted, Count Me Out | Being As An Ocean | C Major | 8 | 8B | 125 BPM | ||
| In The Shadows Of You | Make Me Famous | G Minor | 9 | 6A | 100 BPM |