Alexander Rudd's ' "Tiptoeing" was released on its scheduled release date, July 24, 2017. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Tiptoeing's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Sparkling Miniatures". In this album, this song's track order is #13. The popularity of Tiptoeing is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Tiptoeing by Alexander Rudd having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nandor Fodor Main Theme | Bill Prokopow | G Minor | 3 | 6A | 88 BPM | ||
| Solemn | Alexander Rudd | C Major | 4 | 8B | 84 BPM | ||
| Call the Midwife Theme Tune | Peter Salem | F Minor | 4 | 4A | 101 BPM | ||
| Returning to Sanditon | Ruth Barrett, Jon Wygens, David Schweitzer | D Minor | 1 | 7A | 166 BPM | ||
| God's Country | Edward Farmer, Martin Phipps | G Major | 3 | 9B | 78 BPM | ||
| It Happened Here | David Celeste | C Minor | 2 | 5A | 105 BPM | ||
| The Impossible Crime | Nathan Klein, F. Keane | C Minor | 4 | 5A | 183 BPM | ||
| The Great Tree | Christopher Willis | E Minor | 2 | 9A | 75 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| Professor T Main Titles | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Dark Obsessions | Universal Production Music | A Minor | 5 | 8A | 92 BPM | ||
| El Reto | Ahmad Magdy | B♭ Minor | 4 | 3A | 85 BPM | ||
| Nureyev | Ilan Eshkeri, Lisa Batiashvili, Dudana Mazmanishvili | F Major | 1 | 7B | 117 BPM | ||
| Jaffa to Stamboul | Patrick Doyle | F Major | 3 | 7B | 109 BPM | ||
| A Lavish Affair | Daniel Pemberton | B♭ Minor | 4 | 3A | 170 BPM | ||
| Golden Balls | Anže Rozman, Camilo Forero | C Major | 3 | 8B | 80 BPM | ||
| Never Before | Fabien Tell | G Major | 4 | 9B | 155 BPM | ||
| Other Sides of Glory | Fabien Tell | B♭ Major | 3 | 6B | 124 BPM | ||
| Lizards | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Bons du trésor | Mathieu Lamboley | E Minor | 3 | 9A | 182 BPM | ||
| See How They Run | Daniel Pemberton | B♭ Major | 8 | 6B | 140 BPM | ||
| Astronomy | Jordan Gagne | A Minor | 2 | 8A | 138 BPM | ||
| Gerry's Letter | Anne Nikitin | E Minor | 3 | 9A | 182 BPM | ||
| One Way Ticket | Donald Black, Alexander Rudd | C Major | 3 | 8B | 106 BPM | ||
| Run With The Wolves | The Seventh Movement, Ardie Son | C Minor | 5 | 5A | 93 BPM |