"Underground Lab" by Laurent Ziliani, Thomas Parisch had its release date on November 14, 2012. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Underground Lab's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 151 in the song's album "Resident Evil 6 Original Soundtrack". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Japan. Underground Lab is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Underground Lab by Laurent Ziliani, Thomas Parisch having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Timequake | Wilbert Roget, II | G Major | 6 | 9B | 180 BPM | ||
| Iluzija II | Laurent Ziliani, Thomas Parisch | F♯ Minor | 6 | 11A | 146 BPM | ||
| The City of Chaos | Takayasu Sodeoka | B Minor | 10 | 10A | 154 BPM | ||
| Occult Lamentations | Akira Yamaoka | D♭ Minor | 0 | 12A | 67 BPM | ||
| Dark Rooms | Jared Emerson-Johnson | G Major | 2 | 9B | 108 BPM | ||
| Boss 1 | Peter Connelly | D♭ Major | 4 | 3B | 128 BPM | ||
| The Bank Job: Suspense | Daniel Licht | C Major | 6 | 8B | 110 BPM | ||
| Ubistvo I | Laurent Ziliani, Thomas Parisch | F♯ Major | 4 | 2B | 160 BPM | ||
| Mediterranean Flowers | Thomas Parisch, Laurent Ziliani | C Minor | 2 | 5A | 116 BPM | ||
| Into the Void: Suspense | Daniel Licht | F Minor | 2 | 4A | 109 BPM | ||
| Convergence is Nigh | Trevor Gureckis | G Major | 6 | 9B | 65 BPM | ||
| Escaping The Alien Market | Chris Wirsig | F Major | 5 | 7B | 173 BPM | ||
| Impasse | Kaptain, Thomas Parisch, Laurent Ziliani | F Minor | 2 | 4A | 142 BPM | ||
| Stronger | Mark Braids, Mark Buho | F♯ Major | 0 | 2B | 74 BPM | ||
| Out in the Open | Miwako Chinone | D Major | 3 | 10B | 68 BPM | ||
| Ephemeral Nihilism | Akira Yamaoka | A♭ Major | 2 | 4B | 126 BPM | ||
| Deep Sea - Darkness Ver. | Capcom Sound Team | B♭ Major | 2 | 6B | 78 BPM | ||
| We Can Be a Family Again | Masatoshi Yanagi | E Minor | 1 | 9A | 89 BPM | ||
| The Dead Survive | Trevor Gureckis | D♭ Major | 6 | 3B | 146 BPM | ||
| Emergency Situation II | Laurent Ziliani, Thomas Parisch | B Minor | 2 | 10A | 66 BPM | ||
| Land of Wraiths | Sohn Minsoo (DEVSISTERS) | G Major | 2 | 9B | 129 BPM | ||
| The Brother | Gerard Marino | A Minor | 7 | 8A | 133 BPM | ||
| Head No. 2 | Akira Yamaoka | G Major | 2 | 9B | 129 BPM | ||
| Adrenaline Overdrive | Jason Solowsky | F Minor | 5 | 4A | 157 BPM | ||
| A Treatment for Sherry | 土屋 裕一 | G Major | 5 | 9B | 124 BPM |