"They Call Me "Tater Salad"" by Ron White had its release date on October 3, 2004. This song is quite longer than the average track at 5 minutes and 29 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 10 in the song's album "They Call Me "Tater Salad"". In this album, this song's track order is #8. Based on our statistics, They Call Me "Tater Salad"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With They Call Me "Tater Salad" by Ron White having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Weird Al | Brian Posehn | D♭ Major | 4 | 3B | 135 BPM | ||
| Clutch | Iliza Shlesinger | F Major | 8 | 7B | 109 BPM | ||
| When the Spice Hits | John Pinette | D♭ Major | 6 | 3B | 54 BPM | ||
| Don't Act Like a Jag Off | Billy Gardell | D♭ Major | 8 | 3B | 79 BPM | ||
| Dirty Pics | David Spade | E Major | 9 | 12B | 86 BPM | ||
| The Fistful | Chad Daniels | D♭ Major | 8 | 3B | 83 BPM | ||
| Great Folks Like You | Jeff Dunham | F♯ Major | 9 | 2B | 97 BPM | ||
| Car Salesman | Ron White | D Major | 6 | 10B | 90 BPM | ||
| Handshakes and Greetings | Brian Regan | E♭ Minor | 9 | 2A | 184 BPM | ||
| Douchebags | Chris Porter | D♭ Major | 8 | 3B | 121 BPM | ||
| The Realism of Expression | Ben Bailey | D Major | 10 | 10B | 80 BPM | ||
| I'm Talkin' to You, Son | Bob Saget | F♯ Minor | 10 | 11A | 173 BPM | ||
| Breaking up with Her | Chris Porter | B♭ Minor | 10 | 3A | 80 BPM | ||
| Potheads & Cloning / Noise with Your Face | Tom Papa | D Major | 3 | 10B | 120 BPM | ||
| Chinatown, Etc. | Harland Williams | B♭ Minor | 8 | 3A | 83 BPM | ||
| Satellite Radio / Jimmy Buffet | Kurt Braunohler | F♯ Minor | 8 | 11A | 84 BPM | ||
| Three Easy Payments | Mitch Hedberg | F♯ Major | 9 | 2B | 113 BPM | ||
| Kinky | Mike Armstrong | D♭ Major | 10 | 3B | 88 BPM | ||
| Family | Lewis Grizzard | C Minor | 4 | 5A | 80 BPM | ||
| Lengthy Stories | John Heffron | D♭ Minor | 7 | 12A | 88 BPM | ||
| The Hate-Boro Baptist Church | Lisa Lampanelli | A Minor | 4 | 8A | 134 BPM | ||
| Hitler the Vegeterian & Mel Gibson | Craig Ferguson | E♭ Major | 10 | 5B | 94 BPM | ||
| Got Any Change? | Josh Blue | D♭ Major | 10 | 3B | 80 BPM | ||
| Get in Shape/All Dogs Go to Heaven/Bin Laden/Pearl | Ron White | F♯ Major | 4 | 2B | 90 BPM | ||
| Hontinental | Ralphie May | A Major | 5 | 11B | 109 BPM |