Rajesh Chandra's 'Hey Krishna Hey Madhav' had a release date set for August 13, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Hey Krishna Hey Madhav and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. The popularity of Hey Krishna Hey Madhav is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hey Krishna Hey Madhav by Rajesh Chandra to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Sakar Hari Ji Ishwar Ka Hai Avtar | Rajesh Chandra | D♭ Minor | 5 | 12A | 140 BPM | ||
| Aalo Darbari Sai Tujya Aalo Darbari | Sai bhakti | D♭ Minor | 8 | 12A | 110 BPM | ||
| Es Duniya Mein Sunder Sunder | Prem Bhushan Maharaj | A Minor | 5 | 8A | 130 BPM | ||
| Jesal Karile Vichar Mathe | Lalita Ghodadra | B♭ Major | 6 | 6B | 167 BPM | ||
| Shri Narmada Ashtak | Ravinder Sharma | E♭ Major | 9 | 5B | 146 BPM | ||
| Shree Radha | Shridhay Shri Mridul krishna shastri ji maharaj | C Major | 4 | 8B | 146 BPM | ||
| Mera Ek Sathi Hai | Sanjay Pareek | A♭ Major | 5 | 4B | 82 BPM | ||
| Kab Hoga Tera Didar | Chitra Vichitra Ji Maharaj | E♭ Major | 9 | 5B | 120 BPM | ||
| Tamari Murti Vina | Baps Swaminarayan Sanstha | B Major | 5 | 1B | 150 BPM | ||
| Rachae Shrishti Ko Jis Prabhu Ne | Dhiraj Kant | D♭ Major | 7 | 3B | 119 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Aaye Tumhre Dwar He Ganraja | Shahnaz Akhtar | G Major | 7 | 9B | 159 BPM | ||
| Aarti Kunj Bihari Ki | Rajesh Chandra, Deepak Rana, Vindo, Deepak Blue, Kuldeep | E♭ Minor | 6 | 2A | 144 BPM | ||
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Mere Bhole Mere Shiva | Sugat Dhanvijay, Sangita Singhh, Gaurav Chati | A♭ Major | 8 | 4B | 90 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Duniya Se Main Hara To Aaya Tere Dwar | Ankit Pathak | D♭ Major | 9 | 3B | 95 BPM | ||
| Karte Ho Tum Kanhaiya | Preet B | A♭ Major | 4 | 4B | 105 BPM | ||
| Mera Apki Daya Se | Rajesh Chandra | A♭ Major | 4 | 4B | 120 BPM | ||
| Karuna Karo Kasht Haro Gyan Do Bhagwan Krishna Bhajan | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Aasra Is Jahan Ka | Pujya Bhaishree Rameshbhai Ojha | A Major | 2 | 11B | 120 BPM | ||
| Har Har Mahadev | Niranjan Pandya | A♭ Major | 1 | 4B | 171 BPM | ||
| Jivan Anjali Thajo Maru | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | D♭ Major | 4 | 3B | 179 BPM |