Sulochana Joshi, Rekha Rathod's ' "Kyathi Gyan Mani Aave Gurujina" was released on its scheduled release date, November 3, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sulochana Joshi, Rekha Rathod's "Gurujini Amrutvani, Vol. 1" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Kyathi Gyan Mani Aave Gurujina's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Kyathi Gyan Mani Aave Gurujina by Sulochana Joshi, Rekha Rathod to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Ram Taro Ghadnaro | Hemant Chauhan | A♭ Minor | 5 | 1A | 123 BPM | ||
| chalti Aave Gadi Mari | Dinesh Zala, Sulochana Joshi | G Major | 6 | 9B | 115 BPM | ||
| Madhuban Ki Lataon Mein | Dr. Manikantan Menon | F Major | 5 | 7B | 126 BPM | ||
| Jaina Smaran Thi | Kishore Manraja | E♭ Major | 7 | 5B | 150 BPM | ||
| Maro Sandesho Sajan | Mamta Soni, Vikram Thakor | D♭ Major | 6 | 3B | 130 BPM | ||
| Meru To Daga Pan Jena Mann Na Dage | Poonam Barot | C Major | 7 | 8B | 105 BPM | ||
| Aje Yagnapurush Ne Dwar | Baps Swaminarayan Sanstha | C Major | 6 | 8B | 103 BPM | ||
| Ganesh Deva Karu Tari Seva | Jogaji Thakor, Munnaraja, Sulochana Joshi | E♭ Minor | 6 | 2A | 114 BPM | ||
| Barnai Baleharnai Lakh Barea ¬ Bhai Maninder Singh Ji | Bhai Maninder Singh Ji Hazuri Ragi, North Kirtan Studio | D Minor | 5 | 7A | 133 BPM | ||
| Taro Nedo Lagyo | Anuradha Paudwal, Hemant Chauhan | D♭ Major | 6 | 3B | 79 BPM | ||
| Sathido Risano | Hari Bharwad | D♭ Major | 7 | 3B | 127 BPM | ||
| Dhola Dhol Manjeera | Vandana Bhardwaj | A♭ Major | 5 | 4B | 89 BPM | ||
| Surapura Dada Ni Aarti | Mita Chauhan | F Major | 8 | 7B | 90 BPM | ||
| Bolbona Go Ar Kono Din - 06 | Baul Sukumar | B♭ Minor | 5 | 3A | 99 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Darshan Dejo Re Vahala Shrinathji | Nitin Devka, Nidhi Dholkiya | F♯ Major | 5 | 2B | 155 BPM | ||
| Bhor Bhayi Din Chad Gaya | Anuradha Paudwal | F♯ Major | 7 | 2B | 180 BPM | ||
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Kar Do Kashama Kishori Apradh Mere Sare | Mukul Dwivedi | E Minor | 4 | 9A | 98 BPM | ||
| Juvo Juvo Ne Saheliyo Aaj | Geeta Rabari, Maulik Mehta | A♭ Major | 9 | 4B | 140 BPM | ||
| Halo Aarasur Dhame | Jogaji Thakor, Munnaraja, Sulochana Joshi | A♭ Major | 7 | 4B | 133 BPM | ||
| Tan Man Dhan Shreeji Na | Hemant Chauhan | B Major | 7 | 1B | 96 BPM | ||
| Ekde Ek | Master Rana | F Minor | 6 | 4A | 92 BPM | ||
| Pan Lilu Joyu Ne Tame Yaad Aavya | Varsha Pandya | E♭ Minor | 6 | 2A | 127 BPM | ||
| Ambema No Chhand | Jogaji Thakor, Munnaraja, Sulochana Joshi | A♭ Major | 7 | 4B | 133 BPM |