Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto
Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe
Cello Concertos
2:31 September 15, 1998
BPM
84
Key
D Major
Camelot
10B

Embed

Share Link

Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto by Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe Song Details

"Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto" by Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe had its release date on September 15, 1998. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 34 in Cello Concertos by Steven Isserlis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto by Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-34.007 dB
Acousticness
97%
Danceability
8%
Energy
1%
Instrumentalness
9%
Liveness
14%
Loudness
43%
Speechiness
4%
Valence
4%

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Four Seasons: Concerto No. 2 in G Minor, RV 315 The Four Seasons: Concerto No. 2 in G Minor, RV 315 "L'estate" (summer): III. PrestoAntonio Vivaldi, Adrian Chandler, La SerenissimaG Major59B157 BPM
The Planets, Op. 32: VI. Uranus, the Magician by Gustav Holst, Berliner Philharmoniker, Herbert von KarajanThe Planets, Op. 32: VI. Uranus, the MagicianGustav Holst, Berliner Philharmoniker, Herbert von KarajanC Major38B110 BPM
Lyric Pieces, Book I, Op. 12: No. 1, Arietta by Edvard Grieg, Javier PerianesLyric Pieces, Book I, Op. 12: No. 1, AriettaEdvard Grieg, Javier PerianesG Minor06A65 BPM
Waltz No.2 by Cihat AşkınWaltz No.2Cihat AşkınG Major89B85 BPM
Symphony No. 40 in G Minor, K. 550: I. Allegro molto by Wolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthSymphony No. 40 in G Minor, K. 550: I. Allegro moltoWolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthD Minor27A122 BPM
Sérénade mélancolique, Op. 26, TH 56: Serenade melancolique (Melancholy Serenade), Op. 26 by Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry YablonskySérénade mélancolique, Op. 26, TH 56: Serenade melancolique (Melancholy Serenade), Op. 26Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry YablonskyB♭ Minor13A88 BPM
6 Impromptus, Op. 5: Impromptu V by Jean Sibelius, Leif Ove Andsnes6 Impromptus, Op. 5: Impromptu VJean Sibelius, Leif Ove AndsnesB Minor010A72 BPM
Egmont Overture, Op. 84 - 2018 Remastered Version by Ludwig van Beethoven, George Szell, The Cleveland OrchestraEgmont Overture, Op. 84 - 2018 Remastered VersionLudwig van Beethoven, George Szell, The Cleveland OrchestraA♭ Major14B83 BPM
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido by Franz Liszt, Jean-Yves ThibaudetConsolations, S. 172: No. 3 in D-Flat Major. Lento placidoFranz Liszt, Jean-Yves ThibaudetD♭ Major03B134 BPM
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai by Felix Mendelssohn, Quatuor ÉbèneMendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assaiFelix Mendelssohn, Quatuor ÉbèneF Minor34A139 BPM
Salut d'amour, Op. 12 by Edward Elgar, Sueye Park, Love DerwingerSalut d'amour, Op. 12Edward Elgar, Sueye Park, Love DerwingerE Major112B83 BPM
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderato by Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOREmeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderatoGabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTORE♭ Major05B88 BPM
Violin Concerto No. 2 in B Minor, Op. 7, Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. RondoNiccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de VriendB Minor210A105 BPM
Romeo and Juliet, Op. 64 - Act 1: Romeo by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: RomeoSergei Prokofiev, Cleveland Orchestra, Lorin MaazelC Major08B132 BPM
Romeo and Juliet, Op. 64: Introduction by Sergei Prokofiev, The Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64: IntroductionSergei Prokofiev, The Cleveland Orchestra, Lorin MaazelE Major112B112 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes by Alexander Borodin, Anima Eterna, Jos Van ImmerseelLes danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommesAlexander Borodin, Anima Eterna, Jos Van ImmerseelA Major011B87 BPM
Dance Of The Cygnets by Westminster Concert OrchestraDance Of The CygnetsWestminster Concert OrchestraD Major310B72 BPM
Jazz Suite No. 1: I. Waltz by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 1: I. WaltzDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyE♭ Major15B173 BPM
Orpheus in the Underworld: Cancan by Jacques Offenbach, Semyon Bychkov, Wiener PhilharmonikerOrpheus in the Underworld: CancanJacques Offenbach, Semyon Bychkov, Wiener PhilharmonikerD Major610B152 BPM
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor by Sergei Rachmaninoff, Nikolai LuganskyRachmaninov: 10 Preludes, Op. 23: No. 5 in G MinorSergei Rachmaninoff, Nikolai LuganskyG Minor16A113 BPM
Pavane, Op. 50 by Gabriel Fauré, Sinfonieorchester Basel, Ivor BoltonPavane, Op. 50Gabriel Fauré, Sinfonieorchester Basel, Ivor BoltonF♯ Minor011A66 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro by Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoSymphony No. 10 in E Minor, Op. 93: II. AllegroDmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoB♭ Minor63A89 BPM
Le Corsaire: Act II - Le Corsaire: Act II - "5. Grand Pas: Variation: Medora"Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie HolmesF Major07B77 BPM
Giselle, Act I: Variation de Giselle by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville MarrinerGiselle, Act I: Variation de GiselleAdolphe Adam, Academy of St. Martin in the Fields, Sir Neville MarrinerE Major012B78 BPM
Serenade in B-Flat Major, K. 361 Serenade in B-Flat Major, K. 361 "Gran Partita": III. AdagioWolfgang Amadeus Mozart, Orpheus Chamber OrchestraE♭ Major05B68 BPM
ISRC
GBAYC8900257
Label
L-M Records/RCA Records