Kumar Basnet, Ram Thapa's ' "Tintale Gharko" was released on its scheduled release date, July 14, 1990. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kumar Basnet, Ram Thapa, Meera Rana's "Lok Koseli" album is number 10 out of 10. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Tintale Gharko's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tintale Gharko by Kumar Basnet, Ram Thapa to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jati Heryo Uti Heroon | Mohan Bhusal | A Major | 9 | 11B | 148 BPM | ||
| Fula Ta Fulyo Keshari | Bishwo Dong, Kajal Bomjan Tamang | E Minor | 9 | 9A | 90 BPM | ||
| Dukhchha Chhati | Uday Sotang, Manila Sotang | E Minor | 6 | 9A | 145 BPM | ||
| Namaana Laaja | Prem Dhoj Pradhan | F Major | 5 | 7B | 136 BPM | ||
| Dueta Phul Deuralima | Narayan Gopal | D♭ Major | 3 | 3B | 64 BPM | ||
| Ali Wara Sarana | Kumar Basnet | F Major | 4 | 7B | 120 BPM | ||
| Chhitko Sari | Ram Thapa, Sharmila Bardewa | F Major | 4 | 7B | 90 BPM | ||
| Jati Maya Laye Pani | Arun Thapa | A Major | 4 | 11B | 79 BPM | ||
| Ghar Aabu Khaireni | Kumar Basnet, Purna Nepali, Sunita subba, Jalmaya Gurung, Kalyan Serchan, OB Solti | D Major | 5 | 10B | 124 BPM | ||
| Jau Kanchhi Chitawan | Raju Lama-mongolian Heart | F♯ Major | 4 | 2B | 126 BPM | ||
| Ghumti Ma Na Aau Hai | Premdhoj Pradhan | E♭ Major | 5 | 5B | 156 BPM | ||
| Charile Ta Chhadera | Alok Shree, Ram Krishna Dhakal | D♭ Major | 7 | 3B | 150 BPM | ||
| Heu Paryo Phururu | Roj Moktan | C Major | 7 | 8B | 86 BPM | ||
| Natanu Ta Tanu | Raju Lama-mongolian Heart | A Major | 6 | 11B | 160 BPM | ||
| Sunchadi Bhanda | Om Bikram Bista, Sukmit Gurung | A Major | 4 | 11B | 81 BPM | ||
| Gajalu Ti Thula Thula | Deepak Jangam, Gulam Ali | D♭ Minor | 5 | 12A | 171 BPM | ||
| Helambu Ko Bazaar Ma | Roj Moktan | E Minor | 9 | 9A | 172 BPM | ||
| Badal Haru | Deep Shrestha | C Minor | 6 | 5A | 130 BPM | ||
| Raatko Rani Fulejhai | Danny Denzongpa | A Minor | 5 | 8A | 87 BPM | ||
| Fariya Lai Bhuima Latari | Gopal Yonjan | D♭ Major | 9 | 3B | 98 BPM | ||
| Jeevan Dekhi Dherai Dherai | Gopal Yonjan, Narayan Gopal | D♭ Major | 5 | 3B | 61 BPM | ||
| Aljhechha Kyare Pachhauri | Gopal Yonjan, Narayan Gopal | C Major | 4 | 8B | 170 BPM | ||
| Pakera Khako Fal | Shiva Pariyar | D♭ Major | 7 | 3B | 175 BPM | ||
| Kaha Thiyau Timi | Shiva Pariyar, Anju Panta | D Major | 8 | 10B | 165 BPM | ||
| Yati Chokho Yati | Gopal Yonjan, Narayan Gopal | D♭ Major | 3 | 3B | 101 BPM |