"The Evacuation Begins" by John Frizzell had its release date on January 1, 1997. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Dante's Peak (Original Motion Picture Soundtrack) by John Frizzell. Based on our statistics, The Evacuation Begins's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Evacuation Begins by John Frizzell is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Millennium Main Title (Long Version) | Mark Snow | E Major | 4 | 12B | 120 BPM | ||
| Kitty Centaur | Geoff Zanelli | F Major | 1 | 7B | 102 BPM | ||
| Flowers, Bodies and Smiles | Blake Neely | A Minor | 2 | 8A | 119 BPM | ||
| Arse A Bit | Joseph Loduca | A Minor | 1 | 8A | 88 BPM | ||
| Be Partners | Charlie Clouser | D Major | 3 | 10B | 132 BPM | ||
| Breakfast and a Polygraph | Chris Bacon | A Minor | 1 | 8A | 58 BPM | ||
| Julie's Theme | John Frizzell | D♭ Major | 1 | 3B | 149 BPM | ||
| Untouched By Man | Dan Romer, Giosuè Greco | G Major | 1 | 9B | 109 BPM | ||
| I Never Joke About Money | Kris Bowers | F Major | 1 | 7B | 102 BPM | ||
| Temptation Starway | Eddy Melton, Eddie Melton | D♭ Minor | 4 | 12A | 105 BPM | ||
| Minas De Sal | Hasta El Final | F Minor | 5 | 4A | 110 BPM | ||
| Maximum Security | Atli Örvarsson | D♭ Major | 1 | 3B | 107 BPM | ||
| Prodigal Sun | Richard Gibbs, Jonathan Davis | G Minor | 2 | 6A | 74 BPM | ||
| Opening Of The Chambers | John Frizzell | C Major | 0 | 8B | 121 BPM | ||
| Angel | Emnanyll | B Minor | 1 | 10A | 105 BPM | ||
| Presence Theme (End Credits) | Zack Ryan | G Minor | 2 | 6A | 75 BPM | ||
| Concerto to Hell | Christopher Young | A Major | 3 | 11B | 168 BPM | ||
| God's Business | Sion Trefor | F Major | 1 | 7B | 102 BPM | ||
| Forbidden Zone | Tomandandy | C Major | 2 | 8B | 91 BPM | ||
| You're Such A Hazard | Lorne Balfe, Joshua Pacey | C Minor | 0 | 5A | 66 BPM | ||
| Musically Difficult | John Frizzell | C Minor | 2 | 5A | 154 BPM | ||
| The Antonia Graza | John Frizzell | E♭ Major | 1 | 5B | 82 BPM | ||
| Telepathic Sense | Charlie Clouser | D♭ Major | 2 | 3B | 140 BPM | ||
| Half Light (Tail Credit) | Low, Tomandandy | A♭ Major | 6 | 4B | 100 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM |