Johann Strauss II, Inma Shara's 'Marcha Radetzky, Op.228' had a release date set for November 23, 2010. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Marcha Radetzky, Op.228's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Inma Shara's "La Isla De Los Sonidos" album is number 13 out of 13. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Marcha Radetzky, Op.228 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Marcha Radetzky, Op.228 by Johann Strauss II, Inma Shara to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Habsburg Hoch!, Op. 408: March | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 2 | 5B | 119 BPM | ||
| Carmen: Ouverture | Georges Bizet, Orchestre D'Harmonie De La Garde Républicaine, Francois Boulanger | A♭ Major | 0 | 4B | 118 BPM | ||
| William Tell Overture | Arthur Fiedler, Gioachino Rossini, Boston Pops Orchestra | E Major | 7 | 12B | 170 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Entry of the Gladiators (Arr. for Brass Ensemble) | Julius Fučík, The Philip Jones Brass Ensemble, Elgar Howarth | A♭ Major | 4 | 4B | 113 BPM | ||
| La Bella Durmiente, Op.66 - Vals | Pyotr Ilyich Tchaikovsky, Inma Shara | B♭ Major | 2 | 6B | 181 BPM | ||
| The Blue Danube Waltz, Op. 314 | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Cuadros de una exposición para orquesta: No. 10, La Gran Puerta de Kiev | Orquesta Filarmónica de Slavonia, Alberto Lizzio | E♭ Major | 1 | 5B | 97 BPM | ||
| El Bello Danubio Azul Op. 314 | Gran Orquesta Vienesa | D Major | 3 | 10B | 99 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
| Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
| Annen-Polka | Johann Strauss Orchester | D Major | 1 | 10B | 147 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Haydn: Trumpet Concerto In E Flat - Iii Finale | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 2 | 5B | 145 BPM | ||
| Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Hervé Niquet | G Major | 3 | 9B | 133 BPM | ||
| Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
| Marcha Radetzky | George Henkla | A Major | 5 | 11B | 113 BPM | ||
| Concerto No. 4 in F Minor, Op. 8, RV 297, "Winter" from "The Four Seasons": I. Allegro non molto | Inma Shara, Bratislava Symphony Orchestra | F Minor | 2 | 4A | 138 BPM | ||
| The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
| For Ever, Polka schnell, Op. 193 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack | G Major | 3 | 9B | 153 BPM | ||
| Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM | ||
| He's A Pirate (Piratas Del Caribe: La Maldicion De La Perla Negra) | Klaus Badelt, Inma Shara | D Minor | 6 | 7A | 185 BPM | ||
| La Boda De Luis Alonso - Intermedio | English Chamber Orchestra | E Major | 3 | 12B | 111 BPM | ||
| El Trovador, Act II: Coro de Zíngaros | Waldo De Los Ríos | G Major | 6 | 9B | 130 BPM |