"Пасхальный Концерт, "Радуйтеся Людие"" by Сарти Джузеппе, Академический Большой хор «Мастера хорового пения» had its release date on February 9, 2015. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Пасхальный Концерт, "Радуйтеся Людие"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Пасхальный Концерт, "Радуйтеся Людие"" is a single. Пасхальный Концерт, "Радуйтеся Людие" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Пасхальный Концерт, "Радуйтеся Людие" by Сарти Джузеппе, Академический Большой хор «Мастера хорового пения» is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christus: IV. "Und der ganze Haufe stand auf" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D♭ Major | 0 | 3B | 61 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Missa Sanctae Crucis, MH 56: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 1 | 5B | 139 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| All-night Vigil, Op. 44: Blazhen muzh | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker, Tom Butler | C Minor | 1 | 5A | 133 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| L’ombra dei boschi d’Aser | Pietro Clausetti, Norrlands Nations Kammarkör, Francesco Acquista | D Major | 3 | 10B | 75 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | E♭ Minor | 0 | 2A | 177 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Arioso, Oi Herra, Sinun Jäljissäsi Kuljen | Cantio Laudis -kuoro, Heikki Rainio, Markku Liukkonen, Sirkka Rautakoski, Ari Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | E♭ Minor | 0 | 2A | 177 BPM | ||
| Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 8, "Wenn so lind dein Auge mir" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 1 | 3B | 76 BPM | ||
| 2 Gesänge, Op. 91: No. 1, Gestillte Sehnsucht | Johannes Brahms, Sara Mingardo, Aldo Orvieto, Danusha Waskiewicz | D Major | 1 | 10B | 81 BPM | ||
| Cherubic Hymn: No. 7, — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | G Minor | 0 | 6A | 144 BPM | ||
| Petite messe solennelle, Gloria: VI. Domine Deus | Gioachino Rossini, Steve Davislim, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | D Major | 1 | 10B | 125 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: XIV. Praise the Lord from the Heavens | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Pastoral Mass in G Major, Op. 24: III. Credo | Karl Kempter, Augsburger Domsingknaben, Reinhard Kammler | G Major | 1 | 9B | 145 BPM |