Matt Nathanson's ' "Used to Be - Live" was released on its scheduled release date, November 28, 2025. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Please Pet But Do Not Ride The Horse (Live // 2025)". In this album, this song's track order is #18. Used to Be - Live is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Used to Be - Live by Matt Nathanson having a BPM of 49 with a half-time of 24 BPM and a double-time of 98 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Another Life | Phil Luna | D Minor | 5 | 7A | 132 BPM | ||
| The Weight of It | Ramblewood | F Major | 5 | 7B | 146 BPM | ||
| Impossible People | Matt Nathanson | F Major | 6 | 7B | 93 BPM | ||
| Hey Bob | Driftwood Hitch | G Major | 2 | 9B | 154 BPM | ||
| Between Oaks and Pines | Chance Pressley | D♭ Minor | 4 | 12A | 104 BPM | ||
| Song for the Sad State of This Art Form | Jack Barksdale | D Major | 5 | 10B | 137 BPM | ||
| Getting it Wrong | Michael Armstrong | D Major | 6 | 10B | 140 BPM | ||
| Damned | Dave Sampson | A Major | 5 | 11B | 174 BPM | ||
| The Quiet Good | Old Man Luedecke | E Major | 6 | 12B | 80 BPM | ||
| Wings Of The Spirit | Pinoy Reggae Republic | A♭ Major | 3 | 4B | 86 BPM | ||
| Campus Library Spark | Georgia Blake | B♭ Major | 5 | 6B | 82 BPM | ||
| The Road | Bluejay Friese | G Major | 4 | 9B | 126 BPM | ||
| One Day At A Time | Austin Grimm | E Major | 5 | 12B | 160 BPM | ||
| Overture - Live In Toronto 2024 | Allan Rayman | C Minor | 5 | 5A | 86 BPM | ||
| Drive, Drive, Drive | Jake Swamp and the Pine | F Major | 4 | 7B | 166 BPM | ||
| Doubts | Luke Hill | D♭ Minor | 3 | 12A | 168 BPM | ||
| Letters from War | Mack Berry Band | D Major | 6 | 10B | 92 BPM | ||
| Rio | Daniel James McFadyen | D♭ Major | 4 | 3B | 123 BPM | ||
| Coming Down The Mountain | Matt Burke | D♭ Major | 4 | 3B | 88 BPM | ||
| I Do! | Highbeams | C Major | 6 | 8B | 160 BPM | ||
| Museum of Almost | Faceless Strangers | C Major | 7 | 8B | 102 BPM | ||
| Cableman | Jordan Opere | G Major | 3 | 9B | 89 BPM | ||
| A Million Miles Away | Carson Hall | C Major | 1 | 8B | 144 BPM | ||
| Gimme A Try | Overserved Again | D Major | 8 | 10B | 166 BPM | ||
| I Pick You | Overserved Again | C Major | 5 | 8B | 118 BPM |