"No Time Left" by Jared Emerson-Johnson had its release date on September 10, 2019. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The Walking Dead: The Telltale Series Soundtrack (Season 1, Pt. 2)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. No Time Left is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No Time Left by Jared Emerson-Johnson having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mia | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Done Running | Jared Emerson-Johnson | B Minor | 0 | 10A | 74 BPM | ||
| Training Clementine | Jared Emerson-Johnson | C Minor | 1 | 5A | 151 BPM | ||
| The Way of the Ghost | Ilan Eshkeri | G Minor | 2 | 6A | 114 BPM | ||
| Infiltration | Chris Remo | G Major | 0 | 9B | 176 BPM | ||
| Hide and Seek (Port) | Zack Bower | C Major | 2 | 8B | 94 BPM | ||
| Walter's Bunker | Jeff Russo | G Major | 0 | 9B | 75 BPM | ||
| Confrontation - Kara | Philip Sheppard | B Minor | 6 | 10A | 140 BPM | ||
| Creepy Caller | Brian Reitzell | A♭ Major | 1 | 4B | 75 BPM | ||
| Flatten the Curve | Ndemic Creations, Marius Masalar | F Major | 4 | 7B | 110 BPM | ||
| Markus Main Theme - Markus | John Paesano | F Minor | 0 | 4A | 60 BPM | ||
| The Freakshow | Nathan Whitehead | D♭ Major | 3 | 3B | 122 BPM | ||
| We Are Citizens | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Stellar Bay | Justin E. Bell | A Minor | 2 | 8A | 81 BPM | ||
| Vanishing Grace | Gustavo Santaolalla | C Major | 0 | 8B | 161 BPM | ||
| Free of All Desire | Dan Romer | D♭ Major | 10 | 3B | 122 BPM | ||
| Leshy's Theme | Jonah Senzel | C Major | 6 | 8B | 140 BPM | ||
| Tower | Ryan Roth | A♭ Major | 1 | 4B | 83 BPM | ||
| Crossroads - Connor | Nima Fakhrara | E♭ Major | 1 | 5B | 92 BPM | ||
| Halfway to Hawaii | Jesse Harlin | D Major | 3 | 10B | 75 BPM | ||
| Crawl Space | Dave Porter | B Minor | 3 | 10A | 130 BPM | ||
| Police Theme - Special Weapons and Tactics | Zack Bower, Dan Liston | C Major | 2 | 8B | 94 BPM | ||
| The Mires | Wilbert Roget, II | E Major | 2 | 12B | 77 BPM | ||
| More Gun | Valve Studio Orchestra | F Major | 4 | 7B | 172 BPM | ||
| Beautiful Mirage - The Vision Fades | Ludvig Forssell | C Minor | 1 | 5A | 73 BPM |