Mujib Pardeshi's ' "Holudiya Pakhi" was released on its scheduled release date, 1992. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Mujib Pardeshi's "Holudiya Pakhi" album is number 1 out of 10. On top of that, France appears to be the country where this track was created. In terms of popularity, Holudiya Pakhi is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Holudiya Pakhi by Mujib Pardeshi to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mai Jhamiya Bundelkhand Ki | Jaysingh raja, jyoti Kushvah | F♯ Minor | 9 | 11A | 163 BPM | ||
| Tunjhi Sik Te Lagi | Shaman Ali Mirali | A Major | 8 | 11B | 135 BPM | ||
| Taanin Unaile | Pramod Kharel | F Major | 9 | 7B | 95 BPM | ||
| BAGAD WALA RANA - Freestyle | Jai Goga Jaharveer Ji | A♭ Major | 7 | 4B | 81 BPM | ||
| val Val Mari Vela Re Val | Jayesh Kharvada | B Minor | 7 | 10A | 104 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Beetal Jaataa Mile Ke | Vishnu Ojha | A Major | 5 | 11B | 150 BPM | ||
| Bhagobat Podey Pawa Jay Na | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Bare Bare Ar Asa Hobe Na - Bengali | Koushik Adhikari | E♭ Minor | 6 | 2A | 149 BPM | ||
| Abahi Umiriya Baari | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Koliza ta Aguns | Nil Sagar | B♭ Minor | 9 | 3A | 143 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Devra Lagawela Hachak Se | Guddu Rangila | A Major | 9 | 11B | 132 BPM | ||
| He jag janani he jagdamba | Ayodhyadas Nimavat | D♭ Minor | 4 | 12A | 81 BPM | ||
| Charya Charya Thi Waya Charya | Mumtaz Molai | F♯ Major | 8 | 2B | 147 BPM | ||
| Dekh Kar Ram Ji Ko | Pawan Singh | B♭ Minor | 8 | 3A | 77 BPM | ||
| Aamar Ta Han Balu Chhe - Aamar Ta Han Balu Chhe | Santanu Sahu, SITAL SAHU, Kalicharan Panigrahi, Sriram Luhar | D♭ Minor | 8 | 12A | 75 BPM | ||
| Kumar Arjun Ke Hari Kirtan - Bhakti | Kumar Arjun | A Major | 8 | 11B | 172 BPM | ||
| Dil Jale Ashiq | Ghulam Hussain Umrani | F♯ Major | 10 | 2B | 137 BPM | ||
| Doorer Yaar Loguth | Naseem-ul-Haq | C Major | 6 | 8B | 73 BPM | ||
| Vadu La La La Poisa Du Ana | Koushik Adhikari | G Major | 6 | 9B | 82 BPM | ||
| Ami Chonno Sara Jazabor | Mujib Pardeshi | B Minor | 8 | 10A | 108 BPM | ||
| अंगुरी में डंसले बिया नगिनिया | पुरबियाउस्ताद महेंदर मिसिर का पुरबी | Chandan Tiwari | F Minor | 8 | 4A | 78 BPM | ||
| Kacher Moto Monta Amar | Mujib Pardeshi | F♯ Major | 8 | 2B | 80 BPM | ||
| Murli Kyo Bajaye | Halke Ram Kushwah, Jyoti Kushvah | D♭ Minor | 9 | 12A | 130 BPM |