Asha Bhosle's 'Taroon Aahe Ratra Ajuni' had a release date set for August 4, 1960. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 2 out of 6 in Aawaz Chandnyache Asha Bhosle by Asha Bhosle, Aarti Prabhu, Suresh Bhat, Sant Dnyaneshwar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Taroon Aahe Ratra Ajuni's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Taroon Aahe Ratra Ajuni by Asha Bhosle is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kunitari Yenar | Anuradha Paudwal, Uttara Kelkar, Suhasini | F Major | 7 | 7B | 134 BPM | ||
| Malvoon Tak Deep | Lata Mangeshkar | A♭ Major | 2 | 4B | 115 BPM | ||
| Ya Pandhriche Sukh | Kishori Amonkar | A♭ Major | 6 | 4B | 99 BPM | ||
| Gela Hari Kunaya Gava | Prahlad Shinde | E♭ Minor | 3 | 2A | 73 BPM | ||
| Na Kalata Ase Kon | Asha Bhosle, Suresh Wadkar | A♭ Major | 3 | 4B | 124 BPM | ||
| Woh Subah Kabhi To Aayegi | Mukesh, Asha Bhosle | B Major | 3 | 1B | 116 BPM | ||
| Ham Haal-E-Dil Sunaenge | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Tu Ahes Na | Rohit Raut, Rahul Deshpande, Avadhoot Gupte, Jasraj Joshi, Adarsh Shinde | E Major | 4 | 12B | 72 BPM | ||
| Pahate Pahate Mala Jaag Aali | Suresh Wadkar | F♯ Minor | 4 | 11A | 160 BPM | ||
| Aa Ja Aa Ja Re | Mahendra Kapoor, Asha Bhosle, Sahir Ludhianvi | F♯ Major | 5 | 2B | 101 BPM | ||
| Muralidharsham - Katyar Kaljat Ghusli | Mahesh Kale | F♯ Minor | 7 | 11A | 130 BPM | ||
| Tum Sab Se Haseen Ho | Mahendra Kapoor, Asha Bhosle | A Minor | 8 | 8A | 144 BPM | ||
| Aayi Jhoomke Basant | Asha Bhosle, Shamshad Begum, Manna Dey, Mahendra Kapoor, Kalyanji-Anandji | G Major | 8 | 9B | 112 BPM | ||
| Swar Tipecha | Shailesh Ranade | D Major | 5 | 10B | 154 BPM | ||
| Savale Sundar Roop Manohar | Bhimsen Joshi | D Minor | 4 | 7A | 84 BPM | ||
| Khara To Prema | Manik Varma | G Major | 4 | 9B | 77 BPM | ||
| Sandhiprakashat | Salil Kulkarni | E♭ Major | 3 | 5B | 130 BPM | ||
| Dil Hai Aapka Huzoor Lijiye | Mohammed Rafi, Asha Bhosle | F♯ Major | 2 | 2B | 102 BPM | ||
| Tu Mere Paas Hai | Anwar Hussain, Asha Bhosle, Laxmikant–Pyarelal | G Minor | 4 | 6A | 124 BPM | ||
| Andaaz Aarshacha Wate Khara | Bhimrao Panchale | D♭ Major | 8 | 3B | 150 BPM | ||
| Vrundavani Venu | Ajit Kadkade | C Major | 7 | 8B | 123 BPM | ||
| Lajun Hasane | Hridaynath Mangeshkar | A Major | 3 | 11B | 150 BPM | ||
| Kuthe Shodhisi Rameshwar | Sudhir Phadke | E Minor | 3 | 9A | 94 BPM | ||
| Vadivarlya Vata | Ravindra, Chandrakant Kale | D Minor | 8 | 7A | 184 BPM | ||
| Laga Chunari Men Daag | Manna Dey | E♭ Major | 6 | 5B | 90 BPM |