"El Corregidor y la Molinera, Pt. 2: X. La Pelea Final" by Manuel de Falla, Tasmanian Symphony Orchestra, Patrick Thomas had its release date on 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 93 in Australian Masters: Patrick Thomas by Patrick Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. El Corregidor y la Molinera, Pt. 2: X. La Pelea Final is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Corregidor y la Molinera, Pt. 2: X. La Pelea Final by Manuel de Falla, Tasmanian Symphony Orchestra, Patrick Thomas is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Danzas Argentinas: No. 2, Danza de la moza donosa - Arr. for Harp | Alberto Ginastera, Marie-Pierre Langlamet | E Minor | 0 | 9A | 94 BPM | ||
| Vocalise-étude en forme de Habanera, M. 51 (Arr. A. Hoérée for Violin & Orchestra) | Maurice Ravel, ジェニファー・ギルバート, フランス国立リヨン管弦楽団, レナード・スラットキン | G Minor | 0 | 6A | 92 BPM | ||
| España, Op. 165: Tango - for alto and piano | Isaac Albéniz, Tabea Zimmermann, Javier Perianes | D Major | 0 | 10B | 80 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
| Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | ||
| El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
| Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Sonata No. 2, Op. 36: II. Non Allegro | Hélène Grimaud | E Minor | 0 | 9A | 68 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
| Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante - più animato | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Kloeckner | G Major | 1 | 9B | 110 BPM | ||
| Serenata andaluza | Manuel de Falla, Javier Perianes | D Minor | 1 | 7A | 63 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
| Piano Concerto in A Minor, Op. 7: 2. Romance: Andante non troppo con grazia | Clara Schumann, Isata Kanneh-Mason, Jonathan Aasgaard, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A♭ Major | 0 | 4B | 74 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Albeniz: Suite Espanola: I. Granada | Alicia de Larrocha | F Major | 0 | 7B | 65 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Goyescas (Suite): 4. Quejas ó la maja y el ruiseñor | Enrique Granados, Alicia de Larrocha | F♯ Minor | 0 | 11A | 65 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM |