"After All That I've Been To You" by Jilliyeah had its release date on May 23, 2025. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in After All That I've Been To You and no other songs are present in the album, we classify this track as a single. In terms of popularity, After All That I've Been To You is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of After All That I've Been To You by Jilliyeah is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emerald Silence | Etta Mae Hartwell | B Major | 3 | 1B | 170 BPM | ||
| Beautiful disaster | Nora Wild | B Major | 3 | 1B | 170 BPM | ||
| Golden Rays | Nora Wild | C Minor | 4 | 5A | 198 BPM | ||
| Thought He Was Mine | Lee Vyborny | B Major | 3 | 1B | 170 BPM | ||
| Whiskey & Smoke - Alternate Version | Chicago Blues Radio | B♭ Minor | 4 | 3A | 170 BPM | ||
| You Don't Leave | Esme Blake | B♭ Minor | 3 | 3A | 184 BPM | ||
| Ashes into Hallelujah | Morgan Luna | E♭ Major | 4 | 5B | 166 BPM | ||
| Wake Up | Jilliyeah | B Minor | 5 | 10A | 120 BPM | ||
| Stay Until My Past Lets Go – Vintage Love | Vintage Heartbeat Radio | B♭ Major | 2 | 6B | 146 BPM | ||
| don't you forget about me | Deniz Duru Derviş | B Minor | 3 | 10A | 116 BPM | ||
| Con Mi Propia Fuerza | The Silver Sound | B Major | 3 | 1B | 170 BPM | ||
| The version of you that wasn’t real | Marie Bongiovano | G Minor | 4 | 6A | 147 BPM | ||
| Train whistle mercy | Joyce Barbara | F Minor | 5 | 4A | 179 BPM | ||
| A Change Is Gonna Come - The Voice Performance | Shalyah Fearing | B Major | 6 | 1B | 181 BPM | ||
| Silver Keys in the Rain | MEOW JAZZ | B Major | 3 | 1B | 170 BPM | ||
| I Choose You Again and Again | Cyrie Jordan | B Major | 3 | 1B | 170 BPM | ||
| Perdóname | Veda Grey | B Major | 3 | 1B | 170 BPM | ||
| I Was Made For Lovin' You (Slowfox 29) | DJ Zavodnov | A Minor | 8 | 8A | 100 BPM | ||
| If I Had the Nerve | Lana Rosewood | B Major | 3 | 1B | 170 BPM | ||
| I Wont Change | Ashe Lacey | G Minor | 4 | 6A | 156 BPM | ||
| Sipping Tea with the Darkness (Mina's Song) | Cat Scratch Murphy n' the Moon Dog Band, Mark Walton | C Minor | 4 | 5A | 85 BPM | ||
| Loss, Quietly Kept - 1940's Jazz Vintage & Retro Jazz Bar | Ladies and Gentlemen | B Major | 3 | 1B | 170 BPM | ||
| Wine on the Bible | Caela Raye | G Minor | 1 | 6A | 77 BPM | ||
| All That’s Left of Me | Kellie_with_an_ie | F Minor | 4 | 4A | 128 BPM | ||
| The Glass Anatomy | Velvet Rae | B Major | 3 | 1B | 170 BPM |