Got To Be There - Remastered 2025
Catalyst
Perception (Remastered 2025)
2:43 November 7, 2025
BPM
104
Key
D♭ Major
Camelot
3B

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Got To Be There - Remastered 2025 by Catalyst Song Details

Catalyst's ' "Got To Be There - Remastered 2025" was released on its scheduled release date, November 7, 2025. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Got To Be There - Remastered 2025's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "Perception (Remastered 2025)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Got To Be There - Remastered 2025 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Got To Be There - Remastered 2025 by Catalyst having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-14.981 dB
Acousticness
40%
Danceability
72%
Energy
44%
Instrumentalness
68%
Liveness
9%
Loudness
75%
Speechiness
3%
Valence
70%

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ISRC
USC4R2553624
Label
L-M Records/RCA Records