- BPM
- 90
- Key
- F Major
- Camelot
- 7B
Damned For All Time / Blood Money by Andrew Lloyd Webber, Brian Keith, Victor Brox, Murray Head, "Jesus Christ Superstar" Apostles - Original Studio Cast, Tim Rice Song Details
Andrew Lloyd Webber, Brian Keith, Victor Brox, Murray Head, "Jesus Christ Superstar" Apostles - Original Studio Cast, Tim Rice's 'Damned For All Time / Blood Money' had a release date set for January 1, 1970. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jesus Christ Superstar - The Original Studio Cast's "Jesus Christ Superstar" album is number 12 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Damned For All Time / Blood Money is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Damned For All Time / Blood Money by Andrew Lloyd Webber, Brian Keith, Victor Brox, Murray Head, "Jesus Christ Superstar" Apostles - Original Studio Cast, Tim Rice to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 20%
- Loudness
- -8.396 dB
- Acousticness
- 8%
- Danceability
- 51%
- Energy
- 75%
- Instrumentalness
- 0%
- Liveness
- 19%
- Loudness
- 86%
- Speechiness
- 10%
- Valence
- 36%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mitchell: Why We Build the Wall (Live) | Original Cast of Hadestown | F Major | 6 | 7B | 150 BPM | |
 | This Ain't Livin | Brian Keith | D♭ Major | 5 | 3B | 150 BPM | |
 | When the Chips Are Down | Anaïs Mitchell, The Haden Triplets | C Minor | 9 | 5A | 96 BPM | |
 | The Last Supper | New Cast of Jesus Christ Superstar (2000), Glenn Carter, Andrew Lloyd Webber, Jerôme Pradon | G Major | 4 | 9B | 164 BPM | |
 | Too Much Exposition | Jeff McCarthy, Urinetown Ensemble | F Major | 3 | 7B | 163 BPM | |
 | Tomorrow Belongs to Me (Reprise) | Michele Pawk, Denis O'Hare, Cabaret Ensemble (1998) | B♭ Major | 2 | 6B | 111 BPM | |
 | Acid Queen | Cheryl Freeman | G Major | 6 | 9B | 128 BPM | |
 | My Eyes Are Fully Open | The Pirates Of Penzance | A♭ Major | 5 | 4B | 117 BPM | |
 | Topsy Turvy - Pt. 1 | Erik Liberman, Michael Arden, The Hunchback of Notre Dame Ensemble | C Minor | 7 | 5A | 129 BPM | |
| Urinetown | Jeff McCarthy, Urinetown Ensemble | B♭ Minor | 4 | 3A | 167 BPM | |
 | 1776: Sit Down, John | Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard | A♭ Major | 4 | 4B | 98 BPM | |
 | Lord | Brian Keith | F♯ Major | 5 | 2B | 180 BPM | |
 | The Wedding Reception | Anthony Warlow, Carolee Carmello, Philip Hoffman | B Major | 5 | 1B | 77 BPM | |
 | Denton, U.S.A. | Besty Brantley, Manning Redwood, Christopher Malcom, Wendy Raeback, Jeremy Newson, Sinitta Renet, Chorus | C Major | 6 | 8B | 168 BPM | |
 | Hosanna - Remastered 2005 | Steve Balsamo, ‘Jesus Christ Superstar’ 1996 London Cast, Pete Gallagher, Andrew Lloyd Webber | G Major | 5 | 9B | 83 BPM | |
| I Am the Very Model of a Modern | The Pirates Of Penzance | B♭ Major | 7 | 6B | 104 BPM | |
 | And Eve Was Weak | Marin Mazzie, Molly Ranson | F Minor | 7 | 4A | 83 BPM | |
 | Rogues Medley | StarKid | B Minor | 8 | 10A | 138 BPM | |
 | Mister Cellophane | John C. Reilly | E Major | 2 | 12B | 85 BPM | |
 | Why We Build the Wall | Patrick Page, Hadestown Original Broadway Company, Anaïs Mitchell | F Major | 5 | 7B | 80 BPM | |
| Act One Finale | Urinetown Musicians | C Minor | 4 | 5A | 127 BPM | |
 | One Rock 'N' Roll Too Many | John Partridge, Andrew Lloyd Webber, Maynard Williams | A♭ Major | 5 | 4B | 157 BPM | |
 | Benjamin Calypso | Mark Cassius, "Joseph And The Amazing Technicolor Dreamcoat" 1992 Canadian Cast, Andrew Lloyd Webber | F Minor | 3 | 4A | 107 BPM | |
 | Rainbow High - Original Cast Recording/1979 | Andrew Lloyd Webber, Tim Rice, Patti LuPone, Original Broadway Cast Of Evita, Rene Wiegert | G Minor | 4 | 6A | 93 BPM | |
 | Insight | Brian Keith | B♭ Major | 5 | 6B | 134 BPM |
- ISRC
- USMC17150417
- Label
- L-M Records/RCA Records