Indigenous's ' "Now That You're Gone" was released on its scheduled release date, January 1, 2010. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Acoustic Sessions". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Now That You're Gone is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Now That You're Gone by Indigenous having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Got To Tell You | Indigenous | B Minor | 8 | 10A | 90 BPM | ||
| See What Tomorrow Brings | Arc Angels | A♭ Major | 5 | 4B | 126 BPM | ||
| Empty Castle | Cry Of Love | B Minor | 8 | 10A | 91 BPM | ||
| Turn Towards The Mirror | Double Trouble | D Major | 7 | 10B | 149 BPM | ||
| Sweet Mary's Gone | Cry Of Love | F♯ Minor | 7 | 11A | 162 BPM | ||
| Mr. Policeman | The Rides | G Major | 9 | 9B | 139 BPM | ||
| Same Dog | Coco Montoya | B Minor | 7 | 10A | 103 BPM | ||
| Don't Wanna Bring You Down | Trigger Hippy | B Major | 9 | 1B | 188 BPM | ||
| Wander This World | Jonny Lang | A Minor | 8 | 8A | 97 BPM | ||
| Graveyard Stone | Quinn Sullivan | B♭ Major | 9 | 6B | 106 BPM | ||
| Crazy Into You | Quinn Sullivan | D Minor | 8 | 7A | 130 BPM | ||
| I Shiver | The Robert Cray Band | A Minor | 7 | 8A | 112 BPM | ||
| The Way You Shake | Indigenous | F♯ Major | 7 | 2B | 175 BPM | ||
| Drop Down Mama | North Mississippi Allstars | F Major | 7 | 7B | 123 BPM | ||
| Trouble | Too Slim and the Taildraggers | D Major | 7 | 10B | 180 BPM | ||
| Two Go Down | Trampled Under Foot | E Major | 6 | 12B | 112 BPM | ||
| Heavy on My Mind | Back Door Slam, Davy Knowles | E♭ Minor | 8 | 2A | 186 BPM | ||
| Zank Frappa | Té de Té | G Major | 5 | 9B | 101 BPM | ||
| Devil Got His Way | Damon Fowler | A Major | 7 | 11B | 81 BPM | ||
| Never Came Easy To Me | Lance Lopez | D Major | 9 | 10B | 154 BPM | ||
| Desperate Heart | Trampled Under Foot | D Minor | 5 | 7A | 190 BPM | ||
| Smokestack | Doyle Bramhall II, Smokestack | E Major | 8 | 12B | 133 BPM | ||
| Don't Want Lies | The Rides | B Minor | 5 | 10A | 79 BPM | ||
| Game On | The Rides | F Major | 8 | 7B | 127 BPM | ||
| Galaxies | Devon Allman | C Minor | 9 | 5A | 91 BPM |