On May 1, 1994, the song "Hum Na Basab Naiharwa" was released by Bijli Rani, Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bijli Rani, Rekha Rani's "Kahan Jaaiba Chhaila" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Hum Na Basab Naiharwa is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hum Na Basab Naiharwa by Bijli Rani, Rekha Rani to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shyam Sunder Maihar | Sanjay Mittal | F Minor | 7 | 4A | 126 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| Shab e Mahtob شب مهتاب | Ahmad Wali | E Major | 4 | 12B | 90 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Gunvant Vani | Savidhan Manohare | G Major | 8 | 9B | 165 BPM | ||
| Ram Naam Nahi Man Me Dhara | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Chhaye Kaali Ghataye To Kya | Adhishta Anushka | F Minor | 7 | 4A | 127 BPM | ||
| Mujhe Darshan De Gaya Voh | Shresth Dixit | G Major | 4 | 9B | 110 BPM | ||
| Mein Mehandipur Mein Aayi | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F♯ Minor | 6 | 11A | 96 BPM | ||
| Jeeybo Kaise Akel | Aashish Yadav | D Major | 6 | 10B | 115 BPM | ||
| Saraswati Chalisa Maha Superfast | Manjeera Ganguly, Kuldeep Shukla | A Minor | 9 | 8A | 130 BPM | ||
| Dole Mitaval Mi G Tula Shevatach Pahun | Vishnu Chole, Kishor Jawale | G Major | 9 | 9B | 113 BPM | ||
| Katha Visharjan Viday | Dhaval Kumar | D♭ Major | 7 | 3B | 84 BPM | ||
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| Dhany Dhany Kanifnath | Chhagan Chougule | A Major | 7 | 11B | 101 BPM | ||
| Maiya Aan Pade Tere Dware | Saksham Goyal | F Minor | 10 | 4A | 192 BPM | ||
| Chham Chham Tor Payal | Satish Das | B Minor | 8 | 10A | 140 BPM | ||
| Ma Durga Bhawani Mamta Rani | Dukalu Yadav | C Minor | 8 | 5A | 164 BPM | ||
| Shiv Ho Utrab Paar | Mithilesh Mishra | G Minor | 10 | 6A | 150 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Chelva Banaal Brijbhaan Ke | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | D Major | 8 | 10B | 134 BPM | ||
| Bhagobat Podey Pawa Jay Na | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Amba Abhay Pad Daayni | Suresh Raval, Meena Patel | F♯ Major | 8 | 2B | 143 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM |