Come, We That Love The Lord
Laudate Mennonite Ensemble
Walk On, My Children
1:36 December 25, 2008
BPM
81
Key
G Major
Camelot
9B

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Come, We That Love The Lord by Laudate Mennonite Ensemble Song Details

Laudate Mennonite Ensemble's ' "Come, We That Love The Lord" was released on its scheduled release date, December 25, 2008. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walk On, My Children by Laudate Mennonite Ensemble. The song's track number on the album is #2 out of 18 tracks. Come, We That Love The Lord is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

Since Come, We That Love The Lord by Laudate Mennonite Ensemble has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Come, We That Love The Lord being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-18.044 dB
Acousticness
99%
Danceability
33%
Energy
12%
Instrumentalness
0%
Liveness
15%
Loudness
70%
Speechiness
4%
Valence
50%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records