Dallas Burrow, Ray Wylie Hubbard's 'Read 'Em and Weep' had a release date set for September 26, 2025. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Way The West Was Won". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Read 'Em and Weep is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Read 'Em and Weep by Dallas Burrow, Ray Wylie Hubbard having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cards | West Texas Exiles | A Major | 6 | 11B | 147 BPM | ||
| A Reason To Drink | Brennen Leigh | A Minor | 4 | 8A | 63 BPM | ||
| Stolen Horses | Ray Wylie Hubbard | B♭ Minor | 7 | 3A | 176 BPM | ||
| Trouble Down the Line | Bob Schneider | G Minor | 7 | 6A | 176 BPM | ||
| Hotel Tomorrow | West Texas Exiles | B♭ Major | 5 | 6B | 130 BPM | ||
| Cash is King | Bryan Jack | E Major | 9 | 12B | 81 BPM | ||
| Level-Headed Even Smile | Dylan Earl | C Major | 8 | 8B | 148 BPM | ||
| Cowboy's Prayer | Dallas Burrow | A Major | 2 | 11B | 117 BPM | ||
| Drunk After Work | Ramona and the Holy Smokes | C Major | 6 | 8B | 148 BPM | ||
| Thank You But No Thank You | Melissa Carper, Theo Lawrence | E Major | 9 | 12B | 81 BPM | ||
| Flowers on the Dash | William Prince | B Major | 7 | 1B | 97 BPM | ||
| Hardliner Blues | Hannah Juanita | C Major | 6 | 8B | 140 BPM | ||
| Barefoot in Heaven | Ray Wylie Hubbard | D Major | 5 | 10B | 96 BPM | ||
| You Can't Love Me Anymore | Jack Browning | D♭ Major | 5 | 3B | 86 BPM | ||
| I Made The Prison Band | Silverada | G Major | 8 | 9B | 160 BPM | ||
| Thanks To The Cathouse (I'm In The Doghouse With You) | Pug Johnson | D♭ Minor | 6 | 12A | 80 BPM | ||
| I Come and I Go | Dallas Burrow | C Major | 5 | 8B | 200 BPM | ||
| You’re Here to Stay | Matt Andersen | C Major | 6 | 8B | 99 BPM | ||
| Drawn To Darkness | Otis Gibbs | D♭ Minor | 5 | 12A | 119 BPM | ||
| One's Too Many (And A Thousand Ain't Enough) | Jesse Daniel | A Major | 8 | 11B | 118 BPM | ||
| Bayou By You | Paul Cauthen | A Major | 8 | 11B | 90 BPM | ||
| Next Act | Steep Canyon Rangers | G Minor | 4 | 6A | 96 BPM | ||
| Could Have Fooled Me | Billy King | B♭ Major | 9 | 6B | 127 BPM | ||
| Stovall's Grove | The Bottle Rockets | A Major | 7 | 11B | 96 BPM | ||
| AIGotNoRhythm | Matt Tedder | A Major | 6 | 11B | 178 BPM |