"The Godfather: V. Love Theme" by Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra had its release date on 1995. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Godfather: V. Love Theme's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Rota: Music for Film". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The Godfather: V. Love Theme is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Godfather: V. Love Theme by Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cries And Whispers | Cho Young-Wuk | E Minor | 4 | 9A | 160 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Titles | Vangelis | D♭ Major | 3 | 3B | 136 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Concerto Grosso for Strings "Palladio": I. Allegretto | Karl Jenkins, Metamorphose String Orchestra, Pavel Lyubomudrov | D Minor | 4 | 7A | 95 BPM | ||
| Violin Concerto No. 1 in G minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle-Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
| Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
| Coda: The Godfather Finale | Carmine Coppola | F Minor | 1 | 4A | 87 BPM | ||
| Love Theme (From "Cinema Paradiso") | Ennio Morricone, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | B♭ Major | 2 | 6B | 62 BPM | ||
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| Thème De La Fête Triste | Saint-Preux | G Minor | 1 | 6A | 81 BPM | ||
| Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 0 | 9B | 118 BPM | ||
| Beatrice | Luis Bacalov | D♭ Major | 2 | 3B | 102 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto - 2018 Remastered Version | Ludwig van Beethoven, George Szell, The Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
| Eternity And A Day: 3. Eternity Theme | Eleni Karaindrou, Vangelis Christopoulos, Nikos Guinos, Vangelis Skouras, Aris Dimitriadis, Iraklis Vavatsikas, Spyros Kazianis, String Orchestra La Camerata | B♭ Minor | 2 | 3A | 144 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| The Batman Theme | Danny Elfman | A♭ Major | 1 | 4B | 87 BPM | ||
| On the lawn (из кф. «Бульварный роман») | Russian State Symphony Orchestra Of Cinematography | B♭ Major | 3 | 6B | 130 BPM | ||
| The Godfather Waltz | Nino Rota, Carlo Savina | G Minor | 2 | 6A | 115 BPM | ||
| The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | ||
| Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
| The Godfather: Waltz (Arr. M. Keller) | Ulrich Herkenhoff, Kurpfälzisches Kammerorchester, Frank Zacher | A Minor | 1 | 8A | 130 BPM | ||
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
| Jarre: Lawrence of Arabia: Overture | Maurice Jarre, Orchestre Philharmonique De Strasbourg, Marko Letonja | G Minor | 0 | 6A | 63 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |