Ferlin Husky's 'Giddy Up Go' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ferlin Husky's "Gidd Up Go" album is number 11 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Giddy Up Go is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Giddy Up Go by Ferlin Husky to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Make That One for the Road a Cup of Coffee | Lefty Frizzell | E Major | 4 | 12B | 122 BPM | ||
| Ninety Miles An Hour (Down A Dead End Street) | Hank Snow | B♭ Major | 7 | 6B | 114 BPM | ||
| Please Don't Squeeze My Sharmon | Charlie Walker | F Major | 4 | 7B | 175 BPM | ||
| Wabash Cannonball | Roy Acuff | A Major | 2 | 11B | 200 BPM | ||
| Take Me Back To Tulsa | Bob Wills & Tommy Duncan with The Texas Playboys | D Major | 6 | 10B | 136 BPM | ||
| Undesired | Ferlin Husky | D Major | 2 | 10B | 101 BPM | ||
| Prize Possession | Ferlin Husky | G Major | 5 | 9B | 82 BPM | ||
| I Don't Love You Anymore | Charlie Louvin | G Major | 4 | 9B | 127 BPM | ||
| The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | ||
| My Baby's Gone | The Louvin Brothers | E♭ Major | 4 | 5B | 147 BPM | ||
| Shed Me No Tears - Remastered 2022 | Jeannie C. Riley | B Major | 7 | 1B | 130 BPM | ||
| Send Me the Pillow You Dream On (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | B Major | 3 | 1B | 100 BPM | ||
| Peel Me a Nanner | Roy Drusky | E Major | 7 | 12B | 144 BPM | ||
| Juke Box Man | Dick Curless | A♭ Major | 7 | 4B | 185 BPM | ||
| Don't Be Angry - 1964 Version | Stonewall Jackson | E Major | 2 | 12B | 105 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| The Tattooed Lady (feat. Johnny White and His Rhythm Riders) | Skeets McDonald, Johnny White and His Rhythm Riders | F Major | 4 | 7B | 95 BPM | ||
| I Feel a Sin Coming On | Jim Ed Brown | C Major | 3 | 8B | 109 BPM | ||
| Honky Tonk Girl | Hank Thompson And His Brazos Valley Boys | B♭ Major | 3 | 6B | 172 BPM | ||
| Before the Next Teardrop Falls | Jim Ed Brown | D Major | 3 | 10B | 200 BPM | ||
| I Wouldn't Take Her to a Dogfight | Charlie Walker | A Major | 7 | 11B | 103 BPM | ||
| Night Train To Memphis | Roy Acuff | G Major | 5 | 9B | 119 BPM | ||
| Bottle, Bottle | Jim Ed Brown | B♭ Major | 1 | 6B | 75 BPM | ||
| Is It Wrong (For Loving You) | Warner Mack | A♭ Major | 4 | 4B | 94 BPM | ||
| There Wouldn't be a Lonely Heart in Town | Del Reeves | D Major | 5 | 10B | 101 BPM |