"Monday Comes Around (Sleeping At Last Version)" by Switchfoot, Sleeping At Last had its release date on September 15, 2023. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "The Beautiful Letdown (Our Version) [Deluxe Edition]". In this album, this song's track order is #12. Based on our statistics, Monday Comes Around (Sleeping At Last Version)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Monday Comes Around (Sleeping At Last Version) by Switchfoot, Sleeping At Last having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All in All | Josh Garrels | B♭ Major | 7 | 6B | 152 BPM | ||
| Broken Sky | Ray LaMontagne | G Major | 6 | 9B | 80 BPM | ||
| Sound and Silence | Skye Peterson | C Major | 3 | 8B | 142 BPM | ||
| Long Goodbye | Jake Scott | B♭ Major | 3 | 6B | 86 BPM | ||
| Search My Heart | FAITHFUL, Savannah Locke, Sandra McCracken, Ginny Owens | D Major | 2 | 10B | 120 BPM | ||
| Joshua: 45-46 | Josh Radnor | D♭ Minor | 9 | 12A | 98 BPM | ||
| A Father's Blessing | Benjamin William Hastings | D♭ Major | 2 | 3B | 84 BPM | ||
| Quiet Magic (Storge) | Sleeping At Last | C Major | 4 | 8B | 144 BPM | ||
| Window | Jake Wesley Rogers | B Major | 4 | 1B | 149 BPM | ||
| CHRONICALLY CAUTIOUS - Stripped | Braden Bales | C Major | 3 | 8B | 135 BPM | ||
| I'm Not There Yet | Kevin Quinn | C Major | 7 | 8B | 154 BPM | ||
| Lost Boys | Mike Mains & The Branches | F Major | 5 | 7B | 130 BPM | ||
| Square One | Chris Renzema | A♭ Major | 1 | 4B | 146 BPM | ||
| I Don’t Miss You (Except For When I Do) | Tors, Lily Williams | G Major | 3 | 9B | 139 BPM | ||
| Willing to Change | United Pursuit, Will Reagan | B Major | 2 | 1B | 85 BPM | ||
| Somehow | Joy Oladokun | E Major | 3 | 12B | 91 BPM | ||
| Death Without a Funeral | Andy Gullahorn | E Major | 2 | 12B | 144 BPM | ||
| The Waves | David Hodges | E♭ Major | 3 | 5B | 148 BPM | ||
| Be Free (Pachamama) | RIVVRS | D♭ Major | 2 | 3B | 189 BPM | ||
| Necessary | Matt Wertz | C Major | 2 | 8B | 99 BPM | ||
| Gone (Owl City Version) | Switchfoot, Owl City | E Major | 8 | 12B | 91 BPM | ||
| Dancing | Cattle & Cane | D Major | 3 | 10B | 180 BPM | ||
| Be Yourself (Stripped Sessions) | Wilder Woods | F Major | 4 | 7B | 160 BPM | ||
| All That's Left | Jonah Vocal | F♯ Minor | 2 | 11A | 100 BPM | ||
| Cheap Wine (And Expensive Conversation) | Jon Foreman, Abby Holliday | G Major | 4 | 9B | 129 BPM |