Ramaiah Muthuswamy, Rukmani Devi, Herbert M Seneviratne's ' "Me Krura Lokayehi" was released on its scheduled release date, June 27, 1957. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Siriyalatha". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sri Lanka. Based on our statistics, Me Krura Lokayehi's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Me Krura Lokayehi by Ramaiah Muthuswamy, Rukmani Devi, Herbert M Seneviratne having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeevan Hai Anmol | Praveen-dimple | F♯ Minor | 3 | 11A | 72 BPM | ||
| Aapka Anna | Ruku Suna, Sushma | B♭ Minor | 7 | 3A | 92 BPM | ||
| Sabai Behoshi Nasha | Bhakta Raj Acharya | D Major | 7 | 10B | 167 BPM | ||
| Mere Mann Ka Papiha | Sarika Kapoor, Surinder Kohli | F♯ Minor | 5 | 11A | 152 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Puviyaalum Punitha | Vyasar S Lawrance | F♯ Major | 8 | 2B | 147 BPM | ||
| Shradha Ko Phool | Narayan Gopal | D♭ Major | 2 | 3B | 144 BPM | ||
| Sili Siliye Nawa Suwandak | Karunaratne Abeysekera, M S Fernando, Ramaiah Muthuswamy, Noel Gunarathne | D Major | 7 | 10B | 191 BPM | ||
| Prabun Prana Nadham | Ramu | D♭ Major | 5 | 3B | 143 BPM | ||
| Preet Sataye Teri Yaad Na Jaye Teri | Suraiya | C Major | 2 | 8B | 74 BPM | ||
| Neekai Vechithinayya | P. Susheela | C Major | 5 | 8B | 96 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Budhu Piyanani | Somathilaka Jayamaha | A♭ Minor | 5 | 1A | 163 BPM | ||
| Linda Thula Madi Una Madiyaa | Ramaiah Muthuswamy, Mohideen Beig, Karunaratne Abeysekera, R Muthuswamy | G Minor | 4 | 6A | 112 BPM | ||
| Kandari Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM | ||
| Jonali Jodi Tumi | Dwipen Baruah, Namita Bhattacharya | A Major | 5 | 11B | 136 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Murakh Prem Berbhu Ka | Mirza Musharaf, Kamala | B Major | 3 | 1B | 92 BPM | ||
| Delowehi Denetha Obe | Ramaiah Muthuswamy, Karunaratne Abeysekera, Sujatha Attanayake, Mohideen Beig | A♭ Major | 3 | 4B | 135 BPM | ||
| Manashi Biday | Bhupen Hazarika | E Major | 3 | 12B | 81 BPM | ||
| Ase Geethe Madura Jeewe | Ramaiah Muthuswamy, Rukmani Devi, Herbert M Seneviratne, Dharmadasa Walpola | B♭ Minor | 3 | 3A | 133 BPM | ||
| Shyama Maa Tor Charan Tole | Swaraj Roy | A Major | 3 | 11B | 63 BPM | ||
| Paap Tarun | Diwaliben Bhil, Ismail Valera | E♭ Major | 5 | 5B | 134 BPM |