"A Low Frequency Inversion Field" by Spacetime Continuum had its release date on January 1, 1994. This song appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Sea Biscuit". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, A Low Frequency Inversion Field is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Low Frequency Inversion Field by Spacetime Continuum having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prospero | Locust | F Major | 2 | 7B | 120 BPM | ||
| Fill 3 | Speedy J | A♭ Major | 2 | 4B | 79 BPM | ||
| Constant Reminder | Two Lone Swordsmen | F♯ Major | 4 | 2B | 102 BPM | ||
| Lizard Point - Remastered 2004 | Brian Eno | D♭ Major | 0 | 3B | 89 BPM | ||
| The Praetorian | Shed | C Major | 9 | 8B | 124 BPM | ||
| Aqua Viva | Robert Leiner | D♭ Major | 8 | 3B | 140 BPM | ||
| Anticipation | John Beltran | F♯ Major | 5 | 2B | 67 BPM | ||
| Wait Behind This Line | The Black Dog | D♭ Major | 2 | 3B | 125 BPM | ||
| The Snow | Coil | G Major | 6 | 9B | 123 BPM | ||
| Montreal | Autechre | F♯ Minor | 9 | 11A | 120 BPM | ||
| Birds & Flutes | MLO | E Major | 8 | 12B | 93 BPM | ||
| Deep End | Pye Corner Audio | E♭ Minor | 2 | 2A | 95 BPM | ||
| Luxury | Coppice Halifax | D♭ Major | 6 | 3B | 216 BPM | ||
| Lichterfelde | sun electric | D♭ Major | 2 | 3B | 138 BPM | ||
| The Near Future | Erik Wøllo | B♭ Minor | 1 | 3A | 64 BPM | ||
| Mute | Loscil | F♯ Major | 4 | 2B | 120 BPM | ||
| Kanei | Photek | D♭ Major | 5 | 3B | 110 BPM | ||
| Too Good To Be Strange | Andrea Parker | A♭ Minor | 8 | 1A | 120 BPM | ||
| The Earth At Night | High Skies | C Minor | 0 | 5A | 139 BPM | ||
| Micron (Take 2) | Bochum Welt | F Major | 7 | 7B | 122 BPM | ||
| Six Hours One Week | Scorn | D♭ Major | 3 | 3B | 76 BPM | ||
| Synergistic Perceptions | B. Lustmord, Robert Rich | B Major | 2 | 1B | 73 BPM | ||
| Opal | Ishq | D♭ Minor | 2 | 12A | 72 BPM | ||
| White Cyclosa | Boards of Canada | B♭ Major | 5 | 6B | 128 BPM | ||
| Out of Control | Robert Leiner | F Minor | 3 | 4A | 122 BPM |