Broadway Calls's ' "At The End" was released on its scheduled release date, August 18, 2009. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. At The End's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Broadway Calls's "Good Views, Bad News" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, At The End is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of At The End by Broadway Calls to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Is This Really Happening? | I Am The Avalanche | B♭ Major | 9 | 6B | 186 BPM | ||
| White Robes | Direct Hit! | A♭ Major | 10 | 4B | 175 BPM | ||
| Calling Station | Banner Pilot | E Major | 10 | 12B | 175 BPM | ||
| Monsters Among Us | Smoke Or Fire | D Major | 10 | 10B | 98 BPM | ||
| Best Year | Broadway Calls | A♭ Major | 10 | 4B | 125 BPM | ||
| 50th And Western | Red City Radio | D Major | 10 | 10B | 137 BPM | ||
| Jamestown | The Movielife | A♭ Major | 10 | 4B | 94 BPM | ||
| Midnight Hour | Broadway Calls | B♭ Major | 10 | 6B | 180 BPM | ||
| Ups and Downsizing | The Swellers | A♭ Major | 10 | 4B | 140 BPM | ||
| Anywhere But Here | Have Nots | G Major | 10 | 9B | 177 BPM | ||
| What You're Seeking | Rehasher | E Major | 10 | 12B | 124 BPM | ||
| Back to the Tower | Direct Hit! | E Major | 10 | 12B | 194 BPM | ||
| Shit's Fucked | The Copyrights | A♭ Minor | 9 | 1A | 100 BPM | ||
| Tanner Boyle Vs. the 7th Grade | AM Taxi | F Major | 8 | 7B | 108 BPM | ||
| Direction | Midtown | F Major | 8 | 7B | 151 BPM | ||
| A Lesson In The Abuse Of Information Technology | The Menzingers | D Major | 10 | 10B | 172 BPM | ||
| Liza and Louisiana | The Holy Mess | A Major | 10 | 11B | 107 BPM | ||
| Losing Reverie | Hit The Switch | D♭ Major | 10 | 3B | 96 BPM | ||
| Steal My Sunshine | The Emergency Exit | E Major | 9 | 12B | 96 BPM | ||
| Keep Your Distance | Home Grown | E♭ Major | 10 | 5B | 154 BPM | ||
| Most Miserable Life | Polar Bear Club | D Major | 9 | 10B | 170 BPM | ||
| She Lied To The FBI | Alkaline Trio | E Major | 10 | 12B | 180 BPM | ||
| Seventeener (17th and 37th) | The Lawrence Arms | E Major | 9 | 12B | 93 BPM | ||
| Threat Level Midnight | The Riot Before | D Major | 8 | 10B | 97 BPM | ||
| Shirts | Off With Their Heads | D♭ Minor | 10 | 12A | 173 BPM |