- BPM
- 122
- Key
- A♭ Major
- Camelot
- 4B
La Capricieuse, Op. 17 by Edward Elgar, Sarah Chang, Sandra Rivers Song Details
Edward Elgar, Sarah Chang, Sandra Rivers's 'La Capricieuse, Op. 17' had a release date set for January 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 18 in Debut by Sarah Chang, Sandra Rivers. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, La Capricieuse, Op. 17's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of La Capricieuse, Op. 17 by Edward Elgar, Sarah Chang, Sandra Rivers is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -15.723 dB
- Acousticness
- 94%
- Danceability
- 59%
- Energy
- 22%
- Instrumentalness
- 2%
- Liveness
- 7%
- Loudness
- 74%
- Speechiness
- 5%
- Valence
- 27%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | |
 | Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | |
 | Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | |
 | Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Bruch: Kol Nidrei, Op. 47 | Max Bruch, Jacqueline du Pré/Daniel Barenboim/Israel Philharmonic Orchestra, Daniel Barenboim, Israel Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | |
 | Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | From Jewish Life: I. Prayer (Arr. for Cello & Orchestra) | Ernest Bloch, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Minor | 1 | 4A | 91 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | The Moldau | Bedřich Smetana, Ferenc Fricsay, Berliner Philharmoniker | E Minor | 3 | 9A | 86 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | |
 | String Quartet No. 62 in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 1 | 9B | 110 BPM | |
 | Intermezzo In A Major, Op. 118, No. 2 | Johannes Brahms, Kun-Woo Paik | F♯ Minor | 0 | 11A | 72 BPM | |
 | Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | |
 | Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | |
 | The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | |
 | Bagatelles, Op. 47, B. 79: No. 1 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | G Minor | 1 | 6A | 99 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | |
 | Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | |
 | Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | |
 | Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | A♭ Major | 2 | 4B | 89 BPM |
- ISRC
- USAR29101060
- Label
- L-M Records/RCA Records