R.N. Paradkar's ' "Karunatripadi,Pt. 1" was released on its scheduled release date, February 8, 2001. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Shripad Vallabh Digambara". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Karunatripadi,Pt. 1 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Karunatripadi,Pt. 1 by R.N. Paradkar having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Tu Hi Tu Hi Tu Hi To Hai Mera Nandanandan | Swami Mukundananda | D Major | 4 | 10B | 85 BPM | ||
| Majhe Navsala Khandu Deva | Santosh Nayak | E♭ Major | 5 | 5B | 81 BPM | ||
| Shri Manchindranath Aarti | Madhuri Vilson | B Minor | 7 | 10A | 170 BPM | ||
| Nako Vajavoo Shrihari Murali | R.N. Paradkar | A♭ Major | 2 | 4B | 103 BPM | ||
| Zala Zala Aanand | Vitthal Umap | G Major | 7 | 9B | 80 BPM | ||
| Tarakmantra - Nishankh Hoi Re mana | Rushikant Mesekar | D♭ Major | 6 | 3B | 120 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Bandana | Bhakta Raj Acharya | C Major | 6 | 8B | 150 BPM | ||
| Tuch Yega Vitthala | Swapnil Bandodkar | A♭ Major | 5 | 4B | 110 BPM | ||
| Aaj Mee Dattaguru Pahile - Lofi | Abhimanyu-Pragya, R.N. Paradkar | D♭ Major | 3 | 3B | 100 BPM | ||
| Vasyo Chhe Chogala Valo | Sadhus of BAPS | B Major | 5 | 1B | 120 BPM | ||
| Shri Kesari Thanaya | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, R. Shamitha | F Minor | 2 | 4A | 177 BPM | ||
| Hinglaj Chalisa | Vijay Jogia | A♭ Minor | 6 | 1A | 82 BPM | ||
| Satnam Ka Sumiran | Madan Gopal | F♯ Major | 6 | 2B | 88 BPM | ||
| Naam Vitthal Vitthal Gheu | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Panyane Marali | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Jay Deva Ganesha Namo | Upasak - Manoj Tamhankar, Rahul Deshpande | A Minor | 5 | 8A | 110 BPM | ||
| Ghanapatham | Challakere Brothers | F Major | 3 | 7B | 143 BPM | ||
| Thaarala Naduma | Gangaputra Narasinga Rao | B♭ Minor | 7 | 3A | 84 BPM | ||
| Swami Samarth Gajar | Kamalakar Tapasvi | C Major | 8 | 8B | 101 BPM | ||
| Laali Adida Ranga | Sri Vdyabhushan Teertha Swamiji | G Major | 5 | 9B | 126 BPM | ||
| Neenyaako | Bhimsen Joshi | F♯ Major | 4 | 2B | 114 BPM | ||
| Pandharicha Sakha Pandurang | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Nayanabhiram Mor | Mahesh Ranjan Shome | F Minor | 5 | 4A | 136 BPM |