El Trini, Victor M. Rosa's ' "Romance: Cante y Guitarra" was released on its scheduled release date, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 17 in Escuela de Flamenco: Bamberas, Romance y Alboreá (Cristina Hoyos Present) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Romance: Cante y Guitarra's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Romance: Cante y Guitarra by El Trini, Victor M. Rosa is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dos toreros - Tanguillos | Remedios Amaya | F Major | 4 | 7B | 164 BPM | ||
| El Pendiente - Bulería | Juan Jose Suarez "Paquete" | B Minor | 8 | 10A | 127 BPM | ||
| Redoblaron Campanas (Seguirilla) | Antonio Reyes, Diego del Morao | D♭ Minor | 7 | 12A | 111 BPM | ||
| Loquita del Sentio | Juncales De Jerez | E♭ Minor | 8 | 2A | 111 BPM | ||
| Con El Ritmo Dentro - Bulerias | Juan Habichuela, Chano Lobato | F Major | 8 | 7B | 128 BPM | ||
| Coje La Senda - Tangos De Granada | Juan Habichuela | G Minor | 4 | 6A | 141 BPM | ||
| Viva Cádiz, mi caleta | Juanito Villar | D Major | 6 | 10B | 157 BPM | ||
| Como el Amor de una Madre | Aurora Vargas | G Minor | 8 | 6A | 107 BPM | ||
| Yali Yali | Antonio de la Malena | F Minor | 6 | 4A | 92 BPM | ||
| Sevillanas Medley 4: Una Noche en el Camino / El Viejo Arca / Tiempo Detente / Tengo en Mi Casa un Tambor | Los Romeros De La Puebla, María de la Colina | E♭ Minor | 6 | 2A | 74 BPM | ||
| Fernanda y Adela (Cuplé por Bulerías) | Alicia Gil | B Major | 5 | 1B | 112 BPM | ||
| Fandango Medio: Cante y Guitarra (2) | El Trini, Victor M. Rosa | F Minor | 5 | 4A | 91 BPM | ||
| Como Loca Me Sali (Bulerias de Utrera) [Remasterizado] | Bernarda De Utrera | F Major | 7 | 7B | 120 BPM | ||
| Lagartijera (Bulerías) | Chano Lobato, Manolo Sanlucar | D Major | 7 | 10B | 134 BPM | ||
| Fruto y Flores | La Fabi | A Minor | 6 | 8A | 106 BPM | ||
| Jerez por Bulerias | Maria Solea | D♭ Major | 4 | 3B | 106 BPM | ||
| Tangos Extremeños | Miguel de Tena, Francisco Pinto | F Minor | 5 | 4A | 81 BPM | ||
| Jaleos Extremeños | María del Tango, Jerónimo Maya, Diego Amaya, Lúa, Juan Mateo | G Minor | 6 | 6A | 110 BPM | ||
| Al Compás del Tío Chico | Los Moneo | E♭ Minor | 6 | 2A | 113 BPM | ||
| Tangos Solo Compás = 144 | Juana Amaya, Adela Campallo | G Major | 4 | 9B | 170 BPM | ||
| Si Te Llamas Dolores (Bulerías) | Jesús Méndez, Moraito Chico | C Major | 6 | 8B | 112 BPM | ||
| Quiérelo Mucho | Los De La Morena | A♭ Major | 6 | 4B | 110 BPM | ||
| Bulerías Baile Completo | Carmen Gamero, Juan María Real, Jeromo Segura, Manuel Salado | E♭ Minor | 1 | 2A | 59 BPM | ||
| Tangos (Avanzado) : 2ª Falseta | Juan María Real, Manuel Salado | E Minor | 6 | 9A | 110 BPM | ||
| No Cuento Mi Sentir | Juncales De Jerez | A♭ Major | 8 | 4B | 111 BPM |