"Gone With The Wind" by Tony Bennett had its release date on November 19, 2004. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Art Of Romance". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Gone With The Wind's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gone With The Wind by Tony Bennett having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I Were a Bell | Shirley Bassey | A♭ Major | 4 | 4B | 83 BPM | ||
| And If You Please | Mario Romano, Jackie Richardson | C Major | 6 | 8B | 150 BPM | ||
| Come Saturday Morning (FROM "THE STERILE CUCKOO") | Tony Bennett | D Major | 1 | 10B | 161 BPM | ||
| Guess I'll Hang My Tears Out To Dry | Diana Krall | E♭ Major | 1 | 5B | 119 BPM | ||
| Quiet Nights of Quiet Stars (Corcovado) | Tony Bennett | F Minor | 2 | 4A | 122 BPM | ||
| A Nightingale Sang in Berkeley Square | Tony Bennett | A Minor | 2 | 8A | 102 BPM | ||
| How High The Moon - Remastered 2001 | June Christy | F Minor | 3 | 4A | 113 BPM | ||
| Lullaby in Blue | Ann Hampton Callaway | C Minor | 1 | 5A | 180 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| Too Good for Me | Mark Niedzwiedz, Mark Kingswood | B♭ Major | 2 | 6B | 66 BPM | ||
| Something Bigger | Lauren Henderson, Jon Lampley, Michael Thurber | F Major | 3 | 7B | 97 BPM | ||
| C’est Magnifique | Melody Gardot, António Zambujo | D Minor | 3 | 7A | 100 BPM | ||
| The Very Thought of You (feat. Robbyn Kirmsse) | Steve Tyrell, Robbyn Kirmssé | G Major | 3 | 9B | 88 BPM | ||
| As Time Goes By | Viktoria Tolstoy, Iiro Rantala | F Minor | 3 | 4A | 120 BPM | ||
| Loverboy | Susie Arioli | F Major | 3 | 7B | 118 BPM | ||
| You Better Go Now | Jeri Southern | A♭ Major | 1 | 4B | 72 BPM | ||
| I Miss You So | Etta Jones | D Minor | 1 | 7A | 68 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Days of Summer | Jeff Meegan | D Minor | 2 | 7A | 114 BPM | ||
| When Love Comes Around | Jan Lundgren Trio | A♭ Major | 4 | 4B | 72 BPM | ||
| What I Did For Love | Spencer Day | G Major | 4 | 9B | 83 BPM | ||
| Dreaming Wide Awake | Lizz Wright | A Major | 1 | 11B | 77 BPM | ||
| Goodnight My Love | Rachael & Vilray | A Minor | 2 | 8A | 119 BPM | ||
| The Look Of Love | Shelby Lynne | C Major | 1 | 8B | 87 BPM | ||
| Love Began In New York - 1940s American Jazz | The Jazz House | E♭ Major | 3 | 5B | 73 BPM |